Like a Shooting Star (Blog #1018)

It’s eleven at night and I’m in my favorite chair. I’ve been here most the day, reading. Recently a friend posted that they’d spent their evenings last year re-reading books from their childhood, stating that it was a perfect way to recapture the magic we all too often lose as we grow older. Well, I got inspired. Yesterday I went to the juvenile section of the library and checked out six books. And whereas the ones I got weren’t ones I’d previously read, the fact that I walked out of the library with a lilt in my step convinced me that they were full of magic nonetheless.

As someone who’s hung up on completion, I can’t tell you how satisfying it is to read a kid’s book. Y’all, they’re so SHORT, and the words are SO BIG (the better to delight you with, my dear). You can finish them just like that. This afternoon I completed two whole novels. Well, a collection of short stories and a novel. And whereas the collection of short stories–The Devil’s Storybook by Natalie Babbitt–was both fun and creatively inspiring, the novel was nothing short of miraculous.

The miraculous book–The Invention of Hugo Cabaret by Brian Selznick–is about an orphaned boy who lives in a Paris train station and, unbeknownst to anyone else, works on and repairs the clocks in the station. Taught by his deceased father and his uncle who’s gone missing, Hugo’s a born engineer, a fixer. And, because he’s able to astound others with his slight of hand and disappearing acts, a magician. Although he’s not immediately aware of this last fact. Anyway, Hugo’s main objective is to fix one of his father’s broken projects, a robot of sorts that, when wound up (like a clock), can write with an ink pen. Convinced the robot’s message will change is life forever, Hugo wonders, What will it say?

Wonder. Magic. Mystery. These are the things that are becoming more and more important to me as I grow older. Not that I don’t enjoy a good fact or “cold, hard news.” But as a long-time cynic, I’m tired of things that make me bitter, that make me want to say, “I told you so” or “I already knew that.” Personally, I think we all are and imagine this is one of the reasons we’re so drawn to stories of wizards and unicorns. Despaired by the reality in our lives, we seek refuge in anything that connects us to our innocence and imagination, those parts of ourselves that are forever young and see the world with wide eyes. Those parts of us which require nothing more than a bendy straw to engage in a sword fight or a blanket to build a fort.

So here’s something weird. Less than a week ago I stayed up late surfing the internet and ended up buying two brooches from the same seller, some lady in Michigan. And whereas I’ve been buying brooches to sell, I bought these just for me. This is a horrible business strategy, I know. But, y’all, they’re just so fun. The first brooch is a wizard with a sword.

The second brooch is of the heavens and depicts the sun, moon, stars, and even a shooting star.

So get this shit.

Although several of the children’s books I checked out yesterday were recommended by an article I read online, The Invention of Hugo Cabaret wasn’t. I just stumbled across it in the “award winning” section and got enchanted (the illustrations are fabulous). Well, just as I got to the end of the book today, guess what I found? An illustration that included one of the main characters wearing–of all things!–a cape with the same design of the “heavens” brooch I bought on it. Complete with one shooting star.

Y’all, I actually put the book down and looked around my room. I thought, What’s going on? What are the CHANCES that I’d buy a brooch with a design on it that matches an illustration in a book I randomly picked up at the library? Am I in the Twilight Zone?

But wait, there’s more.

Remember that wizard brooch I bought? Well, the Hugo book mentions a real-life silent movie called A Trip to the Moon, so after I finished the book I watched the movie on YouTube. And, y’all–no kidding–in the final scene there’s a statue of–a wizard.

Now, I’ve experienced my fair share of strange occurrences and synchronicities. Indeed, the further I go the rabbit hole of self-growth and spirituality, the more they occur. And whereas I think they’re “fun,” I also believe synchronicities carry a message for us, something God, the universe, or our subconscious wants us to know. In one of the last paragraphs of the Hugo book, the character with the cape tells our main character, and these are my words not the author’s, “YOU are a magician, a wizard. YOU are an alchemist, someone who can turn anything into gold.” This is what I’m being reminded of more and more, that each of us has the power to decide what kind of world we want to live in–a world full of cold, hard facts, or a world full of miracles and wonder. Likewise, each of us has the power to go through any rotten circumstance and walk away with only the best of it. This is to say, each of us, like a shooting star, can leave the past behind.

Quotes from CoCo (Marcus)

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You can’t stuff down the truth—it always comes up.

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On Present and Potential Patterns (Blog #909)

Several years ago there was a fad on Facebook that involved posting pictures of three fictional (TV or movie) characters that represent you. And whereas I resisted participating in this fad at first, I eventually caved. My three characters were 1) Charlie from Scent of a Woman, 2) Rabbit from Winnie the Pooh (or the Hundred Acre Wood), and 3) MacGyver from MacGyver. When I shared photos of these three characters, I captioned each picture with an explanation of WHY I identified with that particular character. This wasn’t part of the assignment. I just did it because my Inner Rabbit told me to. Rabbit, after all, is a Perfectionist, a Control Freak.

Guilty.

I’m talking about this now not only because my Facebook memories reminded me of this little project today, but also because lately I’ve been talking a lot (a lot) about archetypes and patterns of behavior. Which are basically the same thing. Specifically, I’ve been talking about how to change or transition from one pattern of behavior (like The People Pleaser) to another (like The Assertive Business Man). Robert Ohotto points out that you can never completely get rid of a pattern. (Shit. A part of me will always be a People Pleaser.) You can, however, DEACTIVATE an old, not-so-useful pattern and ACTIVATE a newer, shinier one. Recently I demoted a pair of workout shorts to painting shorts, so I no longer wear them to the gym. Rather, when I exercise, I wear a new pair. Same thing.

One thing that’s important to understand about gym shorts is that just because they’re ON you doesn’t mean they ARE you. That is, I’m currently wearing a pair of red shorts, but that doesn’t mean that I’m red–or nylon–or holey (or holy). Rather, I’m simply using (as in, making use of) these shorts. One day, I imagine, I won’t find them useful, so I’ll demote them to painting shorts too. My point is that archetypes and patterns of behavior work the same way as our clothes do. They’re something our soul uses as a way to navigate the world and to grow, but they’re not our soul, our essential essence. Earlier I indicated that I’m a Perfectionist and a Control Freak, but it would be more accurate to say that A PART of me is concerned with being perfect, or that I have A PATTERN or HABIT of being controlling.

I make this distinction because we often identify with our patterns to the point that we believe they (we) can’t change. This is, I suppose, because so many of our patterns develop at an early age and we get attached to them. Rightly termed, these patterns are survival strategies. Like, you’re probably a People Pleaser because as a child you figured out (unconsciously) that that was the best way to not be yelled at or get your name written on the chalkboard. I know that’s part of the reason I became The Good Student. I didn’t want to get in trouble. I didn’t want to get spanked. But just because I was a Teacher’s Pet at age thirteen, does that mean I need to be one at the age of thirty-nine? No. That would be ridiculous. You don’t wear the same pair of shorts your entire life.

Getting back to the Facebook fad I mentioned, I realized this morning that identifying fictional characters to whom you relate is one way to know which archetypes or patterns of behavior you currently have active. Oh my gosh, we love doing stuff like this. We take quizzes online that tell us what Harry Potter wizard we are, even what animal best represents us. And whereas this is all well and good, my point is that just because you’re running an archetype now doesn’t mean you have to run it the rest of your life. You may think of yourself as Moaning Myrtle, but–who knows?–you could transform into Hermione Granger. (These are both wizards, Mom.)

Along these lines, today I challenged my Facebook friends: List one fictional character that you think you ARE and another that you would LIKE TO BE. My answer was: I’m Charlie from Scent of a Woman, but I’d like to be Lt. Col. Frank Slade, also from Scent of a Woman. What I meant was–at least historically–I’m bookish, a bit naive, hesitant, and loyal. I have a hard time speaking up. Like Charlie. However, I often fantasize about being brash, rude, outspoken, filthy, and unconcerned with the opinions of others (as in, Fuck you too). Like Lt. Col. Frank Slade.

Hooah!

I didn’t say it when I posted my challenge to Facebook, but here’s what I was thinking. Just as listing characters with whom you identify is one way to pinpoint your CURRENTLY ACTIVE archetypes, listing characters with whom you’d LIKE TO IDENTIFY is one way to pinpoint your CURRENTLY DORMANT archetypes. Said differently–and pay attention because this is important–it’s one way to know what your POTENTIAL is. What pair of shorts you COULD be wearing if you were only willing to take your old ones off. For me, the key is asking, What characters am I DRAWN TO? I think Jamie Lee Curtis was fabulous in True Lies, but I don’t want to BE her, like ever. I don’t daydream about doing that strip routine for Arnold. You know, the one where she reaches for the bedpost, misses, and falls on her ass. But I DO daydream about being Lt. Col. Frank Slade, about having big enough balls to speak the truth, call bullshit, and let the chips fall where they may.

Again, the idea here is that if you have A DRAW to a pattern of behavior, there’s a STRONG POSSIBILITY that pattern already exists within you. It’s just a seed that needs to be watered and tended before it can become a tree. Today my friend Chelsea commented that she wanted to be Molly Weasley (another wizard, Mom) because Molly is a strong mother. Well, my friend Kira told Chelsea, “You’re totally Molly Weasley.” In other words, Molly Weasley doesn’t exist OUTSIDE of Chelsea, she exists INSIDE of her. She can see it, others can see it. Likewise, Lt. Col. Frank Slade already exists in me and–quite frankly–has been coming out more these last few years in terms of my learning to be assertive. Of course, for this to happen, Good Ole People Pleaser Charlie has had to sit down and shut up.

Here’s one last thing that I find fascinating. When this fictional-character fad went around Facebook originally, it seemed like everyone was doing it. At the very least, a lot of people were. However, when I posted my challenge today, only two of my friends played along. Two out of over two thousand. You do the math. Now, personally, I don’t give a shit (a la Lt. Col. Frank Slade) if people participate in my games or not. That’s not why I’m here. At the same time, I think it’s notable that we’re quick to identify and even brag about our CURRENT PATTERNS (People Pleaser, Control Freak, Creative, Book Worm) but not so quick to identify our POTENTIAL PATTERNS (The Fiscally Responsible and Grown Ass Adult).

Why aren’t we quick to identify our POTENTIAL PATTERNS, Marcus?

I’m glad you asked.

Because if I tell you I’d like to be Lt. Col. Frank Slade, that’s a bit like announcing I’d like to lose fifteen pounds. In other words, as soon as you IDENTIFY your potential, whether you realize it or not, you’ve ACTIVATED your potential. You’ve set a goal IN MOTION. This means a couple things. First, you’ve got a lot of work to do. (Pounds don’t drop themselves.) If you say you’re like Blanche on The Golden Girls, well fine. Party on, sister. But if you say you WANT TO BE Maria in The Sound of Music, you’re going to have to start by closing your legs. This is why we’re wishy washy when people ask us where we’d like to be in five years. Because it takes work to get from here to there, and most of us don’t like working (or closing our legs). Second, setting a goal IN MOTION means things are about TO CHANGE. Caroline Myss says we know this deep down, and it’s why we’ll read other people’s books (or blogs) about transformation but never take the first step for ourselves. If I’d known when I started therapy just how many of my old, not-so-useful patterns (and the relationships they got me into) would have to die in order for me to live, I’m not sure I would have started. Looking back, I wouldn’t have it any other way.

Your potential is always better than your present, I promise.

Quotes from CoCo (Marcus)

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Each season has something to offer.

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