On the Enchanted Life (Blog #1046)

Yesterday I finished listening to the audio version of Pam Muñoz Ryan’s juvenile fiction novel Echo. My friend Sydnie recommended it (“The audiobook is awesome because it includes the music relevant to each character,” she said), and it’s nothing short of glorious, full of magic and heart. In short, it’s about an enchanted harmonica that mysteriously comes into the the lives of several different characters not only to change their lives for the better, but also to bring them together across time and space. Brimming with hope, the book encourages us that, “Your fate is not yet sealed. Even in the darkest night, a star will shine, a bell will chime, a path will be revealed.”

I’ve been thinking about this today, the way that all is never lost, the way that help always shows up when we most need it. I’ve also been thinking about how so often help doesn’t announce itself. In Echo, each of the main characters is intrigued by the enchanted harmonica but doesn’t realize what power it would bring into their life. Likewise, six years ago when I first arrived at my therapist’s office there wasn’t a sign on her door that said, “Your life is about to be turned upside down.” And yet it was.

I suppose there are two ways of viewing your life. One, as if it’s not enchanted. Two, as if it is. Seeing your life as not enchanted, each day is the same, random. A beautiful person or object comes into your life, and you think, Isn’t that nice? At best, you occasionally use the word coincidence. Seeing your life as enchanted, however, each day is unique, full of possibility and wonder. You think, Nothing or no one comes to me by accident. You use words like synchronicity, fate, destiny, and meant to be.

Of course, I advocate the enchanted life. Not that I can prove this is the way the universe works, but I can certainly prove that believing it works this way is more fun. Last night I rearranged some artwork on my walls and in the process realized that one of my paintings was originally framed this very week in 1968, twelve and a half years before I was even born. Several years ago I lived in a hundred year old house that was an absolute godsend for me, a quiet home after I’d left one of turbulence, a space space where I could heal my broken heart. I completely believe that like the harmonica in Echo, The Big House came to me because, at least for a time, I needed it. Maybe because we needed each other. My point being that how do I know my painting from 1968 hasn’t come to me for the same reason? A drawing of a weeping willow, it continues to remind me to cry, to flow with life rather than stiffen against it, and to remain rooted.

Along these lines, my framed print of Diogenes reminds me to continuously search for truth, Diogenes being famous for his quest to find “one honest man.” And whereas I could go on and on about the search for truth and honesty, here’s what I’ve come to believe, what I think this drawing from 1946 came to teach me. You can spend the rest of your life looking for one honest man, or you can spend the rest of your life trying to be one. That’s the deal. Diogenes wasn’t looking for someone else. He was looking for himself.

He was it.

Years ago my swing dancing friend Robin sent me a framed poster of Lindy Hop legend Frankie Manning that’s signed by several Lindy Hop “gods and goddesses.” Along with it, she included a note reminding me how important I am, both as a person and a member of the dance community. For me, the poster and the note have become one. Regardless of which I look at, I inevitably feel better. Because I think, If even for a moment, I made a difference. If even for a moment, someone noticed. This is the power that one kind act, one thoughtful note can have. Its effect can last for years, a lifetime.

Talk about magic. Talk about enchanting.

Quotes from CoCo (Marcus)

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We are surrounded by the light.

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The Perfect Front (#472)

When I lived in The Big House for a few years, I had a lot of chandeliers, only one of which sold during my estate sale, what I call The Great Letting Go. Since I moved in with my parents last year, all my leftover lamps and lights have been in the garage collecting dust, getting periodically kicked or moved around. A few times I’ve tried to sell them on Facebook or Craigslist, but to no avail. Finally, a couple weeks ago I decided to dust them off and bring them in. Now two of the lights are hanging in my room (I wrote about one of them here), and three are hanging in a spare closet.

All safe and sound.

This afternoon I determined to bring in the final chandelier, my favorite one, actually. I’ve been putting it off because it’s loaded with crystals, and I’ve assumed some of them were broken or damaged during the move or while in storage. Plus, there’s not really a “great” place to hang it here at Mom and Dad’s. Our ceilings are low, and this thing is somewhat substantial and dramatic. It needs a big space. But I thought, Hanging it is better than not hanging it. At least then I’ll get to look at it.

Well–immediately after taking down the old light fixture, I realized I’d have to go to Lowe’s for a few supplies. I’ll spare you all the details, but I needed some hooks to secure the chandelier to the fixture box (in the ceiling), as well as a medallion. (The “hood” of the chandelier, the part that goes flush to the ceiling, is three inches in diameter, but the ceiling hole is four. I figured a medallion with a three-inch hole would solve this problem.) Of course, all of Lowe’s medallions have the standard four-inch opening, still too big for my chandelier’s particular hood to cover up. Shit, I’ll have to improvise, I thought.

For over an hour, I strolled around Lowe’s and then Walmart, looking for something–anything–I could turn into a suitable ceiling medallion. FINALLY I stumbled across a set of small, circular sunburst mirrors and thought, Eureka–I can take out one of the mirrors and fasten the frame to the ceiling!

If none of this makes sense, stick with me. I promise I won’t go all Bob Vila on your ass and tell you everything that happened next, step by step. Suffice it to say, in home decoration and repair, everything is a process. But here’s the most important thing–when I got home from Walmart, I took out the actual mirror part of the mirror I liked the best, then drilled several one-inch holes into its plastic backing. Here’s what it looked like when I was done.

At this point, I was ready to hang the chandelier. So that’s what I did. And whereas I was all worried about the crystals being broken or damaged, not a single one was. In fact, only three of them had slipped off. (So I slipped them right back on.) Here’s what it looks like now that I’m completely finished. (Ta-da!)

This afternoon my inner perfectionist was all a-twitter about the chandelier. Even after my taking out all the extra chain links, it really does hang a bit low for our ceilings. Also, since the mirror wasn’t made to be a medallion, it’s not “exactly” flush to the ceiling. And–I think–it’s a little small for the size of the chandelier itself. But I’ve been reminding myself–1) The chandelier is gorgeous, better than what was there before, 2) No one besides me will notice or care, and 3) A small medallion, in this case, is better than no medallion at all.

Now I’m absolutely thrilled that the light is inside. I really do adore it. While dusting it this afternoon, I noticed that–honestly–there’s nothing perfect about it. (And that’s okay.) Each crystal is hung by a bent piece of wire, and every single piece is different. (I assume they were made by hand.) Also, the carousels that hold the hooks (and therefore the crystals) are all bent. Maybe they were made that way or have just warped slightly over the years. I mean, it is an antique. But really, what a ridiculous idea–perfection. As if there is such a thing.

Whom are you really kidding?

Earlier when I started to take tonight’s selfie, I decided to turn around. There’s a saying in psychology–the back is as big as the front–and since my front gets plenty of attention on this blog (God knows), I figured my back should get some too. I’m being cheeky here (and in the photo), but there really is something to this idea. We all have this face we show to the world–the one that smiles, the one that’s “nice,” the one that lives in the house where everything is “just so.” The Perfect Front. But that’s all it is–a front. I mean, whom are you really kidding? You want your chandeliers and pictures to hang perfectly straight? Good fucking luck. Life is messy and emotional. In fact, it’s damn ugly at times. That’s what The Imperfect Back is–all the things we don’t want to look at, all the parts of ourselves and the world we think are bad or wrong or embarrassing. But these parts deserve our attention too and (like my chandelier) are worthy of being seen. Plus, we forget that it’s not ultimately about The Perfect Front OR The Imperfect Back. It’s never about what’s outside, what’s physical. It’s about what’s inside, the light.

Quotes from CoCo (Marcus)

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if you're content with yourself and you're always with yourself, then what's the problem?

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Resolute (Blog #313)

Somewhere between a year and a year-and-a-half ago, I was getting ready to close my dance studio and move out of The Big House, the place I called home for over two years. (We called it The Big House because it was a big house. Some things aren’t complicated.) Between the closing of the studio and the time I moved out of my home, there was a three-week period, during which time I worked frantically to finish unfinished remodeling projects around the house. The last project I finished was the upstairs bathroom, the room with the clawfoot tub I used to love to soak in. It really was a last-minute deal–I was still putting paint on the walls my last week there. Still, I went ahead and decorated the entire bathroom–hung up pictures, put a rug on the floor, the whole bit. I figured as long as I lived there, I was gonna live there.

Next to the clawfoot tub was a gas space heater, something that came in rather handy during the winter months. On top of the heater I put a lamp, and next to the lamp, a wooden tray. I think the tray was designed as a kitchen item, but I used it to hold a bar of soap, as well as a candle I’d picked out especially for the bathroom, even though I’m not a candle person. But that final week, I fell in love with THAT candle. Every night I’d crawl into the clawfoot tub after lighting the candle, and while I listened to Fleetwood Mac, the light from the candle would dance with the shadows on the walls.

It’s another story, but The Big House had come to me when my life was a mess. I’d just started therapy and had gotten out of a terrible (no good, very bad) relationship in which there was a lot of yelling. In that relationship, I felt like a ship being tossed about by a storm that wouldn’t relent. Then for the first time in over six months, the storm subsided–everything got still. I found myself in this big house, and it was quiet. Three thousand square feet where I could hear myself think. A place of peace where I could lay my head at night and figure myself out. Looking back, I can see that at the same time I was remodeling the house, I was remodeling myself. Granted, now I look the same on the outside, maybe a few more wrinkles, but I’m different where it counts. My standards are higher, I won’t let myself be walked on, I speak up for myself. In short, I love myself more. So for the place that held me safe while all these renovations went on, I’m eternally grateful.

Getting ready to move out that final week, I went through every single thing I owned. One item at a time, I decided what to keep, what to sell, and what to give away. By the time it was all over, I went from all my possessions being able to fit into The Big House to being able to fit into my Honda Civic, Polly. I sold most the things in the upstairs bathroom, or gave them away, but I decided to take the wooden soap tray and the candle. Ever since then, I’ve used the tray to hold objects that I consider sacred–a small vial of holy water, a beautiful spiritual necklace I never wear on the outside of my shirt, a paperweight that belonged to my uncle when he was alive. I call it my traveling altar. At some point I started putting my jewelry on the altar. It began with a small ring I got at Disney World when I was seven that says, “Marcus,” my logic being that surely I’m a sacred object too.

I’ve always kept the candle in the middle of the tray. In addition to being a stereotypical spiritual thing to have around, the candle inspires me because of the message printed on the outside of it. It says, simply, “Resolute.” For over a year now, every time I see the candle, I think the same thing I thought when I bought it–I don’t know what lies ahead, but I’m determined to see myself through it. My therapist and I discussed this recently. We were talking about strengths that are born out of hardships, and I said that I’m resolute and determined because things were so shitty for so long. Now I don’t give up. I absolutely know this ship can weather any storm. My therapist said that the best people she knows–the ones who are the kindest and the strongest–are the ones who have lived through hell and have found a way to not be bitter about it. “It’s what happens when you refuse to be a victim,” she said.

Lately I’ve been burning the Resolute candle every day while I meditate and do chi kung. It’s become this ritual. I turn off all the other lights in the room, usually put on some sort of instrumental music, and always light the candle. (Growing up, I never imagined I would be someone who does this sort of thing.) Anyway, I guess there’s something powerful about rituals. Sometimes all I have to do is light the candle and take a few steps toward the center of the room, and I being to cry. It’s like seeing that flame is all my body needs to let go. Joseph Campbell says your sacred space is where you can find yourself over and over again, and I guess that’s what my traveling altar has become–a place where I can heal.

Yesterday I lit my Resolute candle for the last time. It burned out, ran out of wax before my meditation was even over. When I threw it away earlier this evening, I felt like I did when I walked out of The Big House for the last time. A little lost. Tonight I replaced my Resolute candle with the only other candle I could find around the house–a pale green one labeled “Mint Chocolate Chip.” Honestly, burning it tonight during meditation wasn’t the same. I kept thinking it smelled like–well–fat. Like, I probably gained two pounds just by taking the lid off. Still, its flame burned just as bright. Also, having lived through hell, I know my being Resolute has nothing to do with a physical candle that used to sit on my traveling altar. Rather, that flame burns deep within me, and the real altar is my body, my heart, my soul. As it turns out, I am the sacred space which I take everywhere I go, the sacred space where I can find myself over and over again, the sacred space where I can heal.

Quotes from CoCo (Marcus)

"Sure, people change, but love doesn't."