The View from Stage Left (Blog #550)

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Today is day four working backstage for the national tour of The Wizard of Oz, and it’s once again dinner time. This has been an interesting experiment, getting up early (at 7:45) and working all day. Last night we left at 11; I think I finally passed out about 1. Due to this schedule, dinner is really the only time I have to blog. That’s another interesting thing, forcing my brain to pump out a post in about an hour. (Dinner is an hour and a half, and it takes me about twenty to thirty minutes to edit after having written). Anyway, currently I’m sitting backstage, stage left, in the dark at a prop table. I’m surrounded by a butterfly net, a giant hourglass, and the bucket of water Dorothy uses to melt the old witch.

Which old witch? The wicked witch.

Stage Left is where I spent all of last night, this morning, and this afternoon. As of now, everyone here is “running the show,” going scene-by-scene and song-by-song working out lights, sound, choreography, and everything else. As I’m part of the prop team, my job has been to help move sets and props on and off at the appropriate times. I wish you could see what goes on back here. I wish you had the view from stage left. For all the magic that happens on stage, there are dozens of people making it happen backstage. It’s this magical machine that’s planned down to the smallest detail. (For example, pulley ropes, light cues, and pieces of tape that designate where the sets go–called spike marks–are all color-coded.)

My predominant thoughts today–

1. On synchonicity

The universe is real trip sometimes. In yesterday’s blog I casually mentioned feeling like Bob Ross, since I’ve been painting so much. Well, not an hour later, I struck up a conversation with one of the carpenters on the tour and noticed that he was wearing a Bob Ross lanyard! There was Bob’s face hanging around his neck, and the exact quote I’d used written along the lanyard itself. “We don’t make mistakes, just happy little accidents.”

Crazy.

2. On receiving

In the last few weeks, I’ve blogged twice about the rich symbolism contained within the story of The Wizard of Oz, once in my birthday blog, and most recently here. I won’t go over the whole thing again, but suffice it to say this is a story that clearly speaks to my consciousness, as it’s about finding your voice, facing your worst fears, and becoming self-empowered, and this is a journey I’ve been on (or at least am currently on, since I’m not sure one ever “gets there”). Anyway, I think it’s pretty fantastic that I should end up HERE backstage at THIS SHOW. What a gift to receive. I’m absolutely having the time of my life. Thinking about what all that had to happen to bring me and this show together–well, it nearly brings me to tears.

Here’s a stage view of the Tin Man’s House and the Forest Trees that I helped paint/touch up.

3. On what one witch says to another

There’s a line in the show that I’d forgotten about, but which stopped me in my tracks when I heard it today. Dorothy has just gotten to Oz, and The Wicked Witch of the West is threatening her. Remember–she’s not really upset that her sister is dead, but is QUITE pissed off that Dorothy has taken her sister’s shiny shoes. (It’s always about footwear.) Anyway, Dorothy is shaking in her boots–well, her ruby red slippers–but then Glinda the Good Witch (who represents Dorothy’s guiding consciousness) says, “Be gone! You have no power here.”

Wow, what a powerful lesson. What a beautiful command to remember whenever our fears present themselves to us. “Be gone! You have no power here.”

4. On reaching the emerald city

After a full day of running the show, we’re just to the part where Dorothy and her friends reach The Emerald City. I’m still working the symbology of The Emerald City out, but I would compare it to my therapist’s office in my own tale. It’s where you go for hope. However, it’s also the place where you think someone else is going to solve your problems (like, Dorothy and her friends want The Great Oz to answer all their requests), but later find out that you have to do The Hard Work yourself; you still have to melt your witch (that is, face your shadow) and get yourself back home.

God, it’s such a long journey. So very fucking long and difficult. (I don’t recommend it; watch Netflix instead.) Anyway, when Dorothy and her friends first arrive, The Emerald City Gatekeeper says, “Have you come far?” Yes, of course, they have. We all have. So very fucking far. The Gatekeeper’s response?

“Believe me, every step is worth it.”

Honestly, this has been my experience. THE JOURNEY is tough stuff, but every difficult step is more than worth it. The results are so much better than anything Netflix has to offer. So run away, find your brain, your courage, and your own good heart, and kill your witches. Then get yourself back home, my dear. But know this–no one will believe the journey you’ve been on. (Dorthy’s family didn’t believe her.) No matter, since YOU will know–you’ve transformed. You’re different than you were before.

Quotes from CoCo (Marcus)

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We follow the mystery, never knowing what’s next.

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On My Defenses (Blog #548)

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Today is day two working backstage for the national tour of The Wizard of Oz, and it’s currently dinner time. Yesterday evening I worked along with my supervisor painting the wicked witch’s castle and was absolutely rung out when we called it a night at 10:30. I had paint everywhere. Still, the cool thing about working on these pieces is finding out how all the smoke and mirrors work. For instance, despite the fact that the bottom or inside of the witch’s castle is hollow, they make it looks like she melts into the floor. Absolute magic!

Take a look at the almost-finished product. There’s just a little touch up to do.

This morning we unloaded the final semi truck, then hung the backdrops up. This is apparently called a Drop Party. (Drop it like it’s hot.) Here’s something fun–this show uses 6 to 8 painted drop cloths, which I was told can easily cost $10,000 a piece. Think about that the next time you think ticket prices are high. Entertainment this good doesn’t come cheap! Anyway, all the painted cloths are missing a section in one of their bottom corners, a part that’s been deliberately cut out. This is called a Boston Square, since the city of Boston requires that a section of all drop cloths be cut out, sent in, and verified as flame retardant.

This afternoon I worked repairing and touching up two giant trees that are used in Oz. This has been my favorite project so far, as it’s been a lot like repairing and touching up walls–patch the holes, sand them down, cover up the scuff marks. But in this case, since both trees are completely blue, it was just a matter of mixing darks and lights and “swirling” them together with my hands. Y’all, it was like finger painting. So fun. So pretty. That being said, my fingers are a complete mess. I guess the sticky foam I used to patch the holes and the super glue I used to put some of the chipped-off pieces back on also STICK TO HUMAN FLESH. (Mine). So now I look like I murdered a Smurf with my bare hands.

Here’s a picture of me and the tree trunks. The tree tops are currently hidden behind one of the side curtains (which are called “legs”). But I swear–they look gorgeous.

After I finished with the trees, I worked a little more on the witch’s castle, then returned to Dorothy’s house, which was one of my projects yesterday. Y’all, this house is the bane of my existence. One of the boards needed to be replaced, so my job has been to make the new board look like the others. This is almost impossible, since each board is a mixture of–I don’t know–half a dozen paints. And despite the fact that my supervisor keeps calling me an artist, I’m much more comfortable smearing paints with my fingers than I am using a brush to try to make a new board look like an old board. Anyway, I nearly started crying, as my inner perfectionist was really giving me shit about the whole affair. “This isn’t good enough,” he kept saying.

But then, like an angel, my supervisor said, “That looks AWESOME, Marcus. Be done!”

Sometimes we are our own worst critic. And by “sometimes,” I mean, “all the time.”

This last year I’ve blogged several times with my problem/obsession with body odor. The issue started after I’d been on antibiotics, and I’ve tried everything under the sun to clear it up. Well, I really thought I had it tackled. I haven’t noticed it in a solid month. But every time I’ve raised my arms today, I’ve thought, Dear God, is that me?! I don’t know–maybe it’s just normal “man smell” and not what I dealt with before. It’s been such a struggle and point of neurosis for me, I really can’t be objective about it. But it’s still been stressing me out. It’s one thing to be offensive to myself, but I don’t want to be offensive to anyone else. And whereas during this ENTIRE ordeal, no one has avoided me or said anything about it (even my friends with whom I dance), I keep imagining myself as Pig Pen from Charlie Brown, walking around with a cloud of stench about me.

This is me AFTER four years of therapy.

Not last night but the night before, I dreamed that an acquaintance of mine, whom I would describe as a kind, gentle man, was wearing a concealed pistol on his right shoulder. When I woke up, I thought, This has to do with the fact that I’m so defensive, always on guard. Like, I know my inner perfectionist is SUCH A HARD ASS because deep down, I’m really afraid of not being good enough. Perhaps more than that, I’m afraid of making someone mad or angry, even though I can’t remember the last time someone “went off” on me. And I think it’s appropriate that the pistol was on this guy’s right shoulder, as my right shoulder is where I carry A LOT of tension and is the cause–I think–of the headaches I get at least two or three times a week. They’re miserable–exhausting. Being constantly on guard is miserable–exhausting. So I’ve been telling myself I’ve got to get this gun off my shoulder. I can’t keep being so hard on myself. I have to let my defenses down.

Quotes from CoCo (Marcus)

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Aren’t you perfect just the way you are?

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Forced Down a Rabbit Hole (Blog #213)

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It’s midnight-thirty, Mom and Dad are watching the world series, and I really have no idea what to talk about. Personally, I think we could all use a break from discussing The Daily Snot Report and What Time Marcus Woke Up This Afternoon (2:30). But what else is there? This evening I went to Walmart to look for a magnesium supplement in the pharmacy section, but there were so many options that I got overwhelmed, threw up my hands, and walked to the dairy section instead. (I can usually find answers in the dairy section.) That being said, I’m still having muscle spasms in my leg, so if anyone would like to suggest a miracle magnesium product, go ahead.

I’d prefer one that goes well with cheese.

Lately I’ve had just a skosh of writer’s block, usually toward the end of each blog. I think it’s because I haven’t been feeling well and my body and mind are tired. It probably doesn’t help that I’ve been blogging after midnight. I’m a night owl, but even I’ll grant that four in the morning is not my finest hour for putting a sentence together. Anyway, several times this last week I’ve said–out loud–to the muse, “Come on, I could use a little help here.” So maybe tonight the muse is on vacation, pissed off, or sleeping with someone else. Ugh–another cheater–that’s just what I need.

This afternoon I had coffee with a friend who was recently dumped. Being dumped is never fun, of course, but it sounded like it needed to happen. I won’t go into details, but I’m sure you can imagine a situation in which you hang on to someone who’s a total shit-show because you keep hoping that person will change. When things finally come to an end, part of you knows it’s for the best, but most of you is devastated. At least that’s been my experience. People say things like, “You’re better off,” “Time heals all wounds,” and “There are plenty of fish in the sea,” but none of that helps put your heart back together. After all, what good is a sea full of fish when you’re drowning?

A fucking mess, those were the exact words my therapist used to describe me.

As my friend told their story, I completely related–not to the specifics, but to the heartache that comes after a breakup. That’s what I was going through four years ago when I started therapy. It felt like there was a hole in the middle of my chest. On the surface I was going through the motions, but inside I was lost in the woods. A fucking mess, those were the exact words my therapist used to describe me. As if the sorrow weren’t enough, I also had to find a place to live. My friend is in a similar situation–everything familiar is being dismantled at once. God–sometimes life can really turn up the heat.

“It sounds like the universe has you by the balls,” I said.

What I meant by that statement is that I no longer believe the major events in our lives are accidental. Caroline Myss says, “God stops your life in order to step in it,” and that’s been my experience. Looking back, I absolutely needed to be cheated on and heartbroken. I don’t hope it will happen again, and I don’t recommend it, but that’s what it took to get me to therapy and raise my damn standards. Having come through the last four years, I can see that all my fears were unfounded. There hasn’t been a day I haven’t been provided for. It took time, of course, but I eventually found a place to live, and it ended up being the perfect place to heal my heart. There I also learned about boundaries, being authentic, and speaking my truth. In short, it was the place I learned to take care of myself.

The way I see it now, dramatic upsets in our lives are like being forced down a rabbit hole. Suddenly you’re falling, tumbling into a new world, searching for solid ground. But there isn’t any–nothing is ever solid. Even if it were, we wouldn’t realize it after a trauma because the territory is not familiar. Familiar is where we came from–our old world, the place we want to go back to and often do. Maybe it’ll be different this time. But if that world had been working, we wouldn’t have been so rudely invited into a new one.

Healing is never a straight line.

Rude invitations, like the tornado that swept Dorothy off to Oz–that’s how I’ve come to think of the curve balls life throws my way–chances to explore new worlds, new ways of being. More often than not, this is three parts frightening and one part exciting and feels like writer’s block. Come on, I don’t know where I’m going. I could use a little help here. (Silence.) Fine, I’ll just eat some cheese until you decide to show up. And yet, somehow you progress down the yellow brick road–the words come and the answers arrive. It’s never a straight line like you want it to be–healing is never a straight line–but you get there. One day you look back and see how far you’ve come. Maybe your outside looks the same, but your inside looks like a whole new world, and that’s your new familiar. Naturally, there will be other rabbit holes and tornados, other invitations to travel deeper into yourself and the divine mystery. But at least you’ll know something better is waiting for you should you choose to accept the invitation, pack your bags or (even better) leave them behind, and learn to swim in the sea again.

Quotes from CoCo (Marcus)

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Every stress and trauma in your life is written somewhere in your body.

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