On the Mysteries of Life (Blog #1017)

Several years ago I bought a piece of jewelry at a flea market–“I’ll sell it to you half off,” the guy said–and, despite the fact that I need to have part of it repaired, it continues to fascinate me. I could go on about all the reasons why, but the main thing is that front and center, made out of lapis lazuli (my favorite stone), are seven circles in a circle. Y’all, this is a simple design–you can recreate by setting down a single penny then placing six other pennies around it–but I can’t tell you the number of times I’ve Googled this shape, flipped through books about symbols to find it, all in hopes of learning what it has to teach me.

Naturally, the usual things about sevens come up. The are seven days in a week, seven “planets” in ancient astronomy, seven base metals in alchemy, seven major chakras. Beyond that, the design implies the Star of David, one triangle with its base in heaven reaching downward that intersects with one triangle with its base on earth reaching up. Of course, there are many other meanings to The Star, like balance, yin and yang.

Suffice it to say that I haven’t been able to get enough of seven circles inside an eighth. Why, just two days ago I realized that one of my framed brooches included this very layout. I hadn’t even noticed when I bought it or framed it, but now that I see it, it rivets me.

I knew I picked it out for a reason.

Amazed by this “coincidence,” last night I once again took to Google to learn about the seven circles (of jewelry design, not of hell, although that’s ANOTHER seven connection). Well, I stumbled across a book I hadn’t seen before, The Seventh Circle in Bible Prophesy by Wayne L. Atchison (link to PDF file). And whereas I haven’t finished it, I stayed up until four last night reading it. In short, Atchison proposes that although most of the world counts in tens, God counts in sevens. God made the world in six days and rested on the seventh, Joshua marched around the walls of Jericho one time for six days and seven times on the seventh, and so on. Atchison also points out that just like seven is associated worldwide with completion or perfection, eight (or any number after a multiple of seven) is associated with new beginnings. This is why, he says, many feast days in The Bible are on the 15th (after the 14th) or 22nd (after the 21st). Or why Jubilee is in the 50th year (after the 49th, which, incidentally, is seven sets of seven years).

Now, that’s about as far as I’ve gotten. Well, wait. This afternoon I Googled “counting by 7s” and came up with the title of a juvenile fiction book by Holly Goldberg Sloan. So I checked it out from the library. And whereas I don’t know what it will reveal to me, I’m eager to find out. One of my points here being that I don’t think any of this–the flea-market cuff, the half-off guy that sold it to me, the brooch, the books–is coincidental. Rather, I believe there’s a rabbit hole the universe wants me to go down (who knows why?), and this is how it’s leading me there. Can I prove this? Of course not. You can never prove your mysteries. But Joseph Campbell said, “Follow your fascinations,” and that’s what I’m doing.

Who knows where they will take me or what I shall learn along the way?

This afternoon and evening I cleaned house for a client of mine. While dusting and scrubbing I began listening to a book on audio–The Way of the Rose: The Radical Path of the Divine Feminine Hidden in the Rosary by Clark Strand and Perdita Finn. Now, I’m not Catholic and I’m not pushing anything, but, y’all, this book, this story, is beautiful. In short, Strand was a Buddhist monk and spiritual seeker, and then–out of nowhere–he had an encounter with the Virgin Mary. It’s a long story, but she told him, like she apparently tells many of those to whom she appears: “Pray. Pray the rosary.”

Again, I’m not done with this book, but it’s been on my mind, so I’d be disingenuous if I didn’t talk about it, if I at least didn’t mention it. Because I’ve been thinking about it a lot. Like the seven circles, I don’t think it’s an accident that this book was brought to my attention (on a podcast), especially after a friend of mine gave me a print of the Madonna a year ago and got me a bit obsessed with her statues ever since. And get this shit. Just today as I was one hour into listening to The Way of the Rose, a stranger messaged me and asked if I could frame one of her family heirlooms/brooches. And whereas they had eleven different options, three of them were–roses.

The big thing that caught me about the book today–indeed, it brought me to tears–was the way the authors describe The Love of The Mother, the way she cradles us as we come into this world, the way she holds us as we go out. “I will always be with you,” she says. “You are my child. You will never be alone.” Admittedly, as someone who’s been raised by a patriarchal society and religion, praying to the feminine is foreign. Like, it sounds iffy at best, and I hope it doesn’t make the masculine mad. And yet perhaps this is the point, that all too often we’ve been taught to fear the divine, rather than approaching All That Is as a tender, compassionate, welcoming, and caring force. A motherly force and not just a fatherly one. A force so full of love for us that it would gladly listen to our concerns. That it would gently lead us down The Path into our own mysteries.

Which are, of course, the mysteries of life itself.

Quotes from CoCo (Marcus)

"

So perhaps perfection has little to do with that which changes and everything to do with that which doesn't. For surely there is a still, small something inside each of us that never changes, something that is timeless and untouchable, something inherently valuable and lovable--something perfect.

"

On Who Sends You Over the Moon (Blog #1008)

Today I’ve been thinking about stuff. I’ll explain. This morning–well, this afternoon–I lay in bed, quite frankly, feeling like crap, trying to go back to sleep. Alas, I couldn’t and, after I could scroll through Facebook no longer, finally succumbed to looking around my room–at my lamps, my books, my pictures. Earlier this week I wrote about how everything is falling apart, so I started thinking about how imperfect everything I own is. This lamp has a chip in it, that book’s pages are stained, that frame’s held together with super glue, and so on. My conclusion being that everything in life is broken.

Think about that.

If you own something that isn’t broken, either you’re not looking close enough or enough time hasn’t passed. Meaning everything breaks (wears out, fades, dies) eventually. In the blog about everything falling apart I used the phrase “smoke and mirrors,” and this is what I meant. We can try to hide the fact that everything is dissolving before our eyes (per the second law of thermodynamics) by turning the crack in the vase so that no one can see it, but that won’t change the fact that it’s there.

Recently I had a friend tell me that their mother (God rest her soul) bought “only the best.” And whereas I have high standards when shopping and adore pretty things and aesthetically pleasing objects, it really hit me this morning that even the best objects come with an expiration date. Because someone’s going to drop it or accidentally put it in the clothes washer. Or–God forbid–a tornado will carry it away. Once I heard a spiritual story about a man who had a heart attack and stopped breathing but was resuscitated by a doctor. People told the doctor, “You saved him from dying!” But the doctor, a mystic of sorts, said, “No one can be saved from dying. All I did was postpone his death.” This is what I mean by all things–including us–having an expiration date.

Just a moment ago I picked up a coffee cup and am now thinking of it as a mirage, a phantasm, not because the cup’s not real or because it’s not there anymore, but because it soon enough won’t be. That’s the deal, we spend so much time shopping for and arranging things just so, and yet–in the twinkling of an eye–it can all be gone.

In the twinkling of an eye, it will be.

Now, I don’t think there’s anything wrong with shopping for and arranging things just so. My room is full of pretty things and aesthetically pleasing objects, and you’d better believe everything is in its proper place. But more and more having things just so is a PREFERENCE for me, not a HAVE TO. That’s when we start getting into trouble, when everything MUST be a certain way–perfect, only the best–in order for us to be happy or satisfied. (I’m thinking of some neat-freaks I knew who, whenever they left home, insisted on vacuuming themselves out the door.) That was something else I thought about this morning while looking around my room. I went object by object and asked myself WHY I liked it, what I thought it did for me. And whereas it would take too long to go through all the reasons and answers, suffice it to say that most the things I like 1) remind me of pleasant time, 2) inspire me in some say, or 3) make me feel important (smart, handsome, hip, nifty) for owning them.

Like, wasn’t I clever for buying this?

Along these lines, I concluded that more often than not our material possessions are SYMBOLS. Granted, sometimes a doorknob is just a doorknob, but when something–let’s say a fancy, gold-plated doorknob–exists for us not just for its intended function but also to convey meaning (I have so much money that even my doorknobs are rich), well, now we’re talking about MEANING. Meaning that we’ve given to something either individually (I’m currently over the moon about brooches but know most people don’t give a shit, although just tonight Vogue said brooches were the new men’s fashion trend) or as a society (conversely, most anyone would be over the moon about a nice house, a luxury car, or season tickets to see their favorite sports team).

Again, I don’t think there’s anything wrong with having ANY of this stuff. One the contrary, since everything is fading, enjoy the hell out of it while you can. This being said, I do think it’s worthwhile to examine how you use your stuff symbolically. For example, if a souvenir reminds you of a lovely vacation and gives you a warm, fuzzy feeling, super. That’s what it’s supposed to do. But if the thought of someone stealing your souvenir gives you anxiety, then you’ve given more POWER to the souvenir than any physical object is capable of containing. That is, you’ve convinced yourself that the THING is generating your warm, fuzzy feeling, when–in fact–it’s you that’s doing that. Think about it. If a brooch can send me over the moon and yet have NO EFFECT on you, then the brooch isn’t doing it, I am.

So this is what I’d suggest keeping in mind the next time you go shopping or start to get excited about any material do-dad. First, remember that you’re looking at a mirage, something that will eventually disappear. Either it will, or you will. Second, know that in addition to looking at a mirage, you’re looking at a symbol. Ask yourself, “What does this represent to me?” If the answer is, “This doorknob will impress my neighbors and make me feel better about myself,” consider that your value and self-worth come from the inside, not the outside. Lastly, remember that things only have the power we give them–and that nothing (no thing) can affect your mood, value, or worth without your permission. Think, Who sends me over the moon? I do.

Quotes from CoCo (Marcus)

"

We’re all made of the same stuff.

"

My Gargoyles, Edward and Bronius (Blog #461)

Two days ago while cleaning out my closet, I found the instructions for a lava lamp, a piece of my childhood that I got rid of long ago in a yard sale. Lamps were a big thing when I was little. I had the purple lava lamp, a red twirling “siren” lamp, even a lamp that tossed rainbow-colored lights onto a whirling string (and is hard to explain). As an adult, I’ve collected mid-century modern lamps, lamps of unusual shapes and sizes, swag lamps and chandeliers that I used at my dance studio and old home, The Big House.

There’s always been something about the light.

When I had my estate sale, most of my lamps and chandeliers found new homes. Two lamps I couldn’t part with, however, are now in my newly redecorated room. Three chandeliers and three swag lamps I kept by default–they didn’t sell. For over a year now, they’ve been collecting dust in my parents’ garage, and no one on Craigslist or Facebook has wanted to pay what I’m asking. So I’ve been working on getting them inside the house this week. One at a time I’ve been cleaning them up, and if I haven’t been able to use them in my room (there’s only so much space in here), I’ve been hanging them in a spare closet.

This is something I’ve been hesitant to do. For the last year, anytime I’ve seen the chandeliers in the garage, part of me has wished they were gone. It took a lot to have that big sale, and their being around has served as a reminder of all the things that I no longer have, the place I called home for three years where I no longer live. Still, I’ve been making peace with where I am and have recently thought, At least for now, Marcus, these lamps belong to you, so let’s use them and take care of them.

In the process of cleaning up my lights this afternoon, I decided to hang one in my room. Because of the way it’s constructed, I didn’t think it would work at first, but my dad encouraged me to try, and it did. (Thanks, Dad.) Anyway, it’s antique–French, I think–with a heavy alabaster shade and a handful of hanging crystals. Atop two gargoyles have been attached. They’re not old, but they have that feel. I originally found this chandelier on eBay after days of searching for gargoyle lights. I just got obsessed over them because of their history and what they represent.

Technically, “gargoyle” means “spout,” as they were often used to decorate drain pipes in medieval architecture. However, depending on the history you read, gargoyles were also seen as guards and were placed on churches to keep evil spirits away. (What demon would want to go near something so ugly?) Plus, there’s something about them representing our shadow, that dark part of ourselves that we push away to the corners and refuse to look at or dance with. What with all my work in therapy, I figured gargoyles were the perfect creature to have around, a symbolic gesture that I was willing to embrace all aspects of myself–the good, the bad, the ugly.

For me, decorating is quite psychological.

As gargoyles can be thought of as guards, I named the two gargoyles atop my chandelier Edward and Bronius, both titles that mean “protector.” I don’t honestly believe that they kept me safe while living in The Big House, but I also never had a problem while the three of us resided there. (I’m just saying.) Plus, this is something I like to do, name my inanimate objects, especially the ones with faces. It makes my world seem more personal, more magical. I realize I’m almost forty, but–

why should I have to stop imagining?

We are surrounded by the light.

So now Edward and Bronius watch over my bedroom. A few of their crystals broke, apparently, while being moved, but–so what?–life isn’t perfect. And whereas all my favorite lamps and lights used to be spread throughout one big house, now they’re concentrated in one single bedroom–mine. I’m surrounded by their light–the light–and I love it. Maybe more now than before, since I’d mentally “lost” some of these objects, and now they’re “found.” This is the way I’ve come to think about myself–lost and now found–not because of some religious experience, but rather because I’m learning to love all parts of myself, to feel protected and at home here, in me, where the light and the dark dance together.

Quotes from CoCo (Marcus)

"

Growth and getting far in life have nothing to do with where you’re physically standing.

"