On Interesting People (Blog #1042)

Phew. I woke up at six this morning and have been functioning ever since, working backstage for the national tour of the musical Finding Neverland. And whereas for weeks I’ve been fearful that my chronic sinus problems would rear their ugly head (in my head) and make my day miserable, I’ve felt fine. Almost human. Indeed, I’ve helped unload three semis, pushed props around, laid down Marley floor, made beds, and sanitized glasses and haven’t once thought, God, I feel terrible. Rather, except one time while crawling around on my knees, I’ve been grateful for this opportunity. Sure, it’s grunt work, but I love the magic of the theater and seeing how it all works.

Speaking of magic, here’s something. Over a year ago I got to work backstage for ten days for the national tour of The Wizard of Oz. Well, this tour of Finding Neverland is being put on by the same production company, so this morning I was greeted by hugs and several familiar faces, friends whose lives and travels I’ve been following on social media. I can’t tell you what a treat this was, to show up to work and be welcomed, to not be a stranger. Of course, we’re all strangers at some point, in some situation. And so we meet each other. We say, “Hi, my name is (insert your name here). What’s your name?”

If we’re lucky, a conversation begins. And talk about magic, a good conversation can take you anywhere.

In my experience with good conversation, the key is to remain curious. Ask a lot of questions. So often we judge people by the clothes they wear or the job they’re currently doing and forget that we’re only seeing a piece of them, not the whole puzzle, the whole mystery. One of the gentlemen I worked with this morning was, by trade, a chef. Indeed, if you live in Fort Smith, you’ve probably eaten one of his recipes, since before he moved away he consulted with many of our local restaurants. Another worker said, “If you’re a chef, what are you doing here?”

“Just making some extra money while I’m visiting my family,” he said.

I don’t know. I think people are fascinating. What’s more, I think they’re willing to tell you almost anything if they sense you really want to listen. One man I just met today told several of us at lunch about his mentor who died many years ago in a freak accident. “It really affected me,” he said. “He taught me everything I know.” Heart wrenching.

Something I’ve been thinking about today is just how much your attitude affects your experience. For example, when you’re sitting with a group of strangers, a fearful or shy attitude will keep you isolated. But a curious attitude, a friendly attitude, will connect you to others, others who are fundamentally the same as you. People with hopes and dreams, griefs and tragedies not unlike yours. People who want to be loved, accepted, and appreciated exactly as they are, just like you do.

This is true no matter what someone looks like, no matter where they’re from.

Getting back to the idea of attitude, at one point today a forklift driver whose sole responsibility was to unstack large boxes over and over again told me he was bored. “It’s just the same thing. Up and down, up and down.” I totally get this. For years I worked as a wedding photographer’s assistant and was constantly surrounded by magic, the most important day of the wedding couple’s life. However, for me it was just another day at work, one more batch of spinach dip. Looking back, I can see that it was my attitude, my perception, that kept me from enjoying the uniqueness of each event. It’s not that the magic wasn’t there. I just couldn’t see it.

There’s an idea that I subscribe to that says that BORING people are BORED and INTERESTING people are INTERESTED. Again, this goes back to how curious you are about other people and your surroundings, what your attitude is. The truth is that, on one hand, every day is the same thing over and over again. We wake up, we go to bed. Up and down, up and down, until we die. So yes, one could get bored pretty easily. On the other hand, every day is new. For example, although I may work backstage at another show, I will never again work backstage with the same people, the same constellation of precious faces I worked with today. Seen from this perspective and with this attitude, each person, each day, and each moment we encounter becomes a gift, a gift worthy of our reverence and interest.

Quotes from CoCo (Marcus)

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Whatever needs to happen, happens.

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On Acknowledging the Break (Blog #958)

For the last few months I’ve been teaching dance to a couple who are about to be married. Tonight was our final lesson before their big day. Y’all, I honestly couldn’t be prouder. These two have come a long way. Granted, they still bump into each others’ feet now and then, but they keep going, and that’s the point. What’s more, they’ve put in enough time and effort to be able to concentrate on one of the finer aspects of dancing–not just properly executing the steps and patterns, but also interpreting the steps and patterns in such a way as to match their particular song.

I’ll explain.

When learning to dance, the priorities are, in order of importance, 1) getting the steps right, 2) being on beat, 3) communicating with your partner (with your body, not your mouth), and 4) proper technique. Under the category of proper technique are things like whether the heel or ball of your foot hits the ground first, whether or not your hips are moving, and which direction your head is looking. These are often subtle things, of course, but they’re not only what distinguishes one dance from another (for example, a box step can be done in both waltz and rumba, but in waltz the forward step is with the heel, and in rumba it’s with the ball–plus, the rhythm is different, but I digress), but also what distinguishes the more experienced dancer from the amateur. That is, the more experienced dancer has good technique; the amateur has poor technique.

What my wedding couple and I discussed tonight was that both interwoven in and beyond these four categories is something called musicality. As I think of it, musicality is about not only being on beat, but also about being on THIS SONG’S beat and not THAT SONG’s beat. What I mean is that you can dance east coast swing–the same steps, the same patterns–to Van Morrison’s “Moondance” and Jerry Lee Lewis’s “Great Balls of Fire,” but if someone were watching you dance on video and turned off the sound, the two dances should look distinctly different because each song has a different MOOD.

Along these lines, musicality is first about matching the ATTITUDE of a song. Keeping to my previous example, since “Moondance” is soft and laid-back, your dancing should be easy going–not frantic–if you’re dancing to it. Since “Great Balls of Fire” is upbeat and wild, your dancing should be energized and punchy if you’re dancing to it. If you don’t match the attitude of a song, something will inevitably feel and look “off.” Taking this idea a step further, something will inevitable feel and look “off” if you don’t match or at least compliment the nuances within a song. For example, often a song will have what’s called a “break,” usually 8 counts of music where some if not all of the instruments drop out but the lyrics continue. Well, musicality dictates that when the music stops, so should you. At the very least, you should stop what you’ve been doing and do something different. I think of this as ACKNOWLEDGING THE BREAK. Is it fine to IGNORE THE BREAK? Sort of. Your dance will still work. But will it work as well, will it be as magical as it could be?

No.

This is what my couple and I dove into tonight, the idea that because their song has an ATTITUDE of tenderness, everything they do should be soft and gentle. Like, don’t make any sudden moves. Next we discussed the idea that just as their song (like any song) has sections that are more or less emphasized (read: energized), their dancing should likewise be more or less energized during those sections. More power, less power. “Step on the gas here,” I told them. “Chill out here. Pause. Take a breath before you go anywhere.” Y’all, you should have seen the results. By simply MATCHING their ATTITUDES and MOVEMENTS to those implied within their specific song, my couple went from having a “nice” dance to a “lovely” dance.

A magical dance.

This afternoon I saw my therapist, and we discussed this idea of TIMING. It came up because I told her I had several projects on the back burner and would like to talk about which one might be best to tackle next. “We can do that,” she said, “but I’m thinking just chill out until the end of year.” This is something she’s been suggesting for a while now and something I’ve blogged about a number of times–slowing down, resting. And whereas I’ve agreed with these concepts in theory, the largest part of me has continued to be attached to the idea of go, go, going. But working with this couple of mine has really driven home for me the importance of the pause. Whether in dancing or life, the pause is absolutely necessary. Not only does it give you time to breathe, it also adds emphasis, mystery, suspense.

It’s why these one-sentence paragraphs work so well.

Crap. Did I just give away a secret?

More and more I realize that just as each song has it’s own attitude and nuances, so does each season and so does each life. What’s more, we’re best served when we can TUNE IN TO and MATCH both nature’s rhythms and our own. For example, this summer I couldn’t find it within me to start a diet. The sun was up all day, and I was too busy, too frantic. But now that fall is here and even the sun is resting, I’ve found it easier to slow down and focus on taking better care of myself. Along these lines, I’m getting more and more okay with the idea that this period in my life is about chilling out and not go, go, going. It’s about learning. It’s about transforming. I told my therapist today, “It doesn’t feel like I should step on the gas right now.” It doesn’t feel like I should fill every minute with an activity, every blank space with more than it was meant to handle.

So I’m not.

Quotes from CoCo (Marcus)

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Even if you can't be anything you want to be, you can absolutely be who you were meant to be. Don't let anyone else tell you differently.

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The Good Enough Club (Blog #910)

It’s 9:15 in the evening, and I don’t know what to talk about. Hum. This morning my dad and I got up early and drove to Oklahoma to pick up his sister (my aunt), who’s been visiting her son and grandchildren. I did all the driving because my dad’s recently had his driving privileges revoked by my mother. He’s having a pacemaker put in next week and has been told, “You could pass out at any minute.” Well, he’s stubborn. On our way to Oklahoma today he kept saying, “Would you like me to drive? What about now? I could drive us home. Is now okay?”

“No,” I said. “No, no, and no.”

I get it. It’s always frustrating to accept your limitations. Last year I had knee surgery to repair my ACL (which I tore when I jumped over someone’s head–well, it wasn’t the jumping part that hurt me, it was the landing), and even now there are things I can’t do. But seriously, when you’re used to going wherever the hell you want whenever the hell you want to, it sucks to be tied down (unless you’re into that sort of thing). It blows to be dependent on someone else, even if that person is glad to help you. All I can say is that it gets better. And even if it doesn’t (let’s face it, sometimes things don’t), your attitude can change.

Caroline Myss tells the story of a wheelchair-bound woman named Ruth, who when she was younger and fully mobile had an out-of-body experience and was shown by her guides (angels) that she would eventually become physically disabled. Obviously, this vision came true. But what struck Caroline wasn’t the angel experience but the fact that Ruth had the best attitude about her handicap. Ruth said something like, “Before this happened I was absolutely crippled by fear, and now the fear is gone. As far as I’m concerned, I’m free.” This is the power of the human spirit. Those things that challenge us, that we think are robbing us of something, can actually give us something far greater in return.

Ask yourself: Would I rather be free on the outside, or free on the inside?

For the last almost two months I’ve been painting the inside of a friend’s rent house. Room by room I’ve slowly made progress. Well, today I finished the kitchen, the last room in the main section of the house. (There’s also a garage area that we’re still deciding what to do with.) This is a weird feeling, working so long at something and then–in an afternoon–being done. It’s how I felt at the end of my leg rehab. Well, I made it. Sure, there’s always more I COULD do, both at the house and with my knee. Your inner perfectionist can always find more to do. But for a while I’ve really been buying into this idea of The Good Enough Club.

The Good Enough Club: Where Things Are Okay As They Are and Perfectionists Aren’t Allowed.

This being said, I’m glad my perfectionist was around for this painting job. He made sure certain spots got three coats of paint instead of two. He made sure I didn’t do a half-assed job. Still, is everything absolutely perfect? Of course not. First of all, it’s an old house. Second of all, there’s no such thing.

As I see it, it’s fine to be a perfectionist about certain things. It’s fine to have high standards. But you’ve got to be able to turn that shit off. Because if left unchecked your perfectionist will push you past the limits of reason. It will demand more of you than you can give. It will always find something wrong. This job isn’t good enough. This body isn’t good enough. The fact that I can’t (drive, walk, dance) isn’t good enough. I need things to be a certain way or I can’t be happy.

None of this, of course, is actually true. You can be happy from where you are.

Quotes from CoCo (Marcus)

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The deepest waters are the only ones capable of carrying you home.

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the story of my success (blog #4)

A couple of months ago, I discovered this fabulous place called the library. Oh my god, you guys, you can get books FOR FREE.

To be clear, I’ve always known about the library, it’s just that I only recently started using it because I don’t have a job and borrowing books is cheaper than buying them. My friend Marla says that the books at the library are “filthy” and “gross,” but I try not to think about that.

So far, I haven’t developed any rashes.

When I first started using the library, I kept saying that I was “renting” books, but my (grammatically superior) best friend Justin, who insists on the correct use of language and also prefers three-syllable words to two-syllable words, said the word I was actually looking for (even though I didn’t know I was looking for it) was “borrowing.”

Here’s a recent picture of me, Justin’s wife, and Justin (in order of appearance). All three of us used to live together a few years ago before the two of them decided to get married, and, consequently, I had to move. (Geez.)

Well, anyway. Thanks to the local library, today I finished Malcolm Gladwell’s book Outliers: The Story of Success. The book basically proposes that successful people like Bill Gates and The Beatles really can’t take all the credit for their success (and most successful people don’t even try to). Malcolm says that success, sure, depends on hard work, but it often hinges on many factors beyond the control of the individual. For example, he details how (and why): the most successful hockey players are born in the month of January, the most successful lawyers are Jewish, and the people who are best at math are Asian.

If you want more details, you’ll have to check the book out for yourself. (Have you heard of a library?) But suffice it to say, Malcolm says that successful people are almost always the recipient of some good fortune, like parents who take an active role in their child’s education, being born in a culture that values getting up early and working hard, or even being a minority (something that works out well for comedians).

What I liked about the book is that it caused me to reshape my perspective on success, as well as focus on those things in my life that have helped mold me into a better person and perhaps give me some sort of advantage or good fortune. I know, you’ve got to be thinking, “Tell me, how DID you become single, jobless, and lucky enough to live with your parents–all before the age of forty?” And whereas you might have a point there, and whereas I understand the tendency to focus on what isn’t going right and the successes that haven’t occurred, I also understand that my therapist doesn’t put up with whiners. So (at least for this post), I’ll be focusing on the successes that have. As Stuart Smalley says, “An attitude of gratitude–it’s not just a platitude.”

About a year ago, the local Montessori school held a fundraiser, and the guest of honor was Sister Kevin Bopp, the woman who founded the Montessori school in Fort Smith. Both my sister and I attended Montessori, and I can’t say enough about the experience. For one thing, we never had to sit in desks. Instead, we got to move around the room, sit in a corner and read, gather together in the middle of the floor and make crafts. I remember learning how to make a bed, how to pack a suitcase, how to ask a friend if they wanted to sit down and have a snack. (All of these skills continue to come in handy.) Almost everything at Montessori was hands-on, self-directed learning. Teachers were there, of course, and sometimes we’d all work together, but I don’t ever remember it feeling like a lecture or a chore. Actually, I remember it being fun.

When I told my mom and my sister about my plans to go to the fundraiser honoring Sister Kevin, they told me their memories about her. My mom said Sister Kevin used to wait for all the children to arrive each morning, bending down so she was on their level, greeting them each by name. She said that once my sister was homesick, so Sister Kevin let my mom come to the school and wait in another room, so my sister could see her and feel more secure. My sister said she remembers showing up to school one year on St. Patrick’s Day without any green on, and Sister Kevin gave her something green to wear. It may seem like a little thing, but it wasn’t a little thing for my sister.

As I’m sure you know, kindness is never a little thing.

When I saw Sister Kevin last year, I said, “I don’t know if you remember me, but I’m Marcus Coker.” And then Sister Kevin smiled and said, “Marcus Coker–from Van Buren.” Later, she reached up and tussled my hair and said, “I could never forget those curls.” (I honestly don’t think that I had curls as a child, but whatever. It’s still sweet.)

That night, I heard a lot of stories about Sister Kevin, and the one thing that everyone remembered about her was how much she loved each and every child. Later, when I got in my car to leave, I started crying because I realized what an impact her love and the school she started had had on me. I realized how fortunate I was to end up in a place that taught and modeled respect for yourself, respect for others, and respect for things. It’s like I’d been carrying around these values for thirty years, and I finally was able to see, at least in part, where they came from. And I started thinking about how I was encouraged to be curious and to an independent learner, to think outside the box, and how my life as an adult might look different if I’d been forced to sit in a desk all day when I was child. Like, maybe I wouldn’t have been a dance instructor or a studio owner because I wouldn’t have had the courage to figure things out as I went or because I would have been taught a more traditional way of doing things, a way that wasn’t as fun.

As I think about it now, I’m especially grateful that I was encouraged to be curious because I think that’s why I keep going back to the library, why I read Malcolm Gladwell. In another of his books (David and Goliath), Malcolm says that often what we think of as disadvantages are actually advantages. So I think if I weren’t curious, it’d be easy to get stuck thinking that the circumstances of my life right now suck and they suck, period. But even Joseph Campbell says that there was a five-year period in his life when he was unemployed and all he did was read. Looking back, he says that period was absolutely essential for all his later success.

I make a lot of jokes about my life right now, but the truth is, I don’t know whether what’s happening is good or bad. My friend Craig, who’s a retired therapist, says that he hates it when people say “baby steps” because there’s not such thing as a small step. Life, he says, is like a puzzle. Every piece is important. So for all I know, this period in my life might be absolutely essential. And maybe thirty years from now, I’ll look back and see it like I see that time with Sister Kevin and Montessori–a time to be curious, a time of learning, a time to love.

[One more thing. If you happen to know Malcolm Gladwell or happen to be Malcolm Gladwell, I have a few follow-up questions I’d like to ask about success–if you’re willing, of course. I’m not currently in the habit of getting up early, but I’d be glad to make an exception if you’re only available in the mornings. Either way, thank you so much for your work.]

Quotes from CoCo (Marcus)

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It’s not where you are, it’s whom you are there with.

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