Less Perfection, More Joy (Blog #829)

Currently I’m out-of-town. This morning, again, I woke up with a sinus infection. Color me not impressed. Oh well. This isn’t my first sinus infection rodeo, so I’ll continue to try various home remedies until something works. Historically, something has always worked, so fingers crossed. In the meantime, I’m taking it easy. This afternoon I finished reading a book about headaches that said headache sufferers are usually perfectionists and people pleasers. Check and check. These are things I’ve been working on–loosening up on myself, not giving a fuck what other people think.

Last night, Saturday, I attended the wedding of the couple I’ve been teaching the Dirty Dancing routine to. Y’all, this has been a journey. We had our final practice Friday night, and parts of it were still rough. A few times they successfully completed the big lift at the end of the dance, but a few times they didn’t. So yesterday I was a nervous wreck. My friend Matt attended the wedding with me, and I told him, “I honestly have no idea how this is going to go.” Eventually, the big moment came. After the ceremony happened and the room was flipped for the ceremony, the couple was announced and made their way to dance floor. First they did a traditional (high school prom style) first dance, then the music from Dirty Dancing started.

As their friends and family began cheering, the couple proceeded through their routine. Was it perfect? No. They weren’t always on beat. But was it fun to watch, enjoyable for both them and (I’m assuming) everyone in the room? Yes.

Absolutely.

Just before the big lift moment, something happened I didn’t know was going to. The groom’s best man and groomsmen, seven guys altogether, made their way to the floor and crouched down behind the groom in order to catch the bride if the lift didn’t go well. Later the groom told me, “I wanted her to feel safe and have extra confidence when jumping.” Perfect, I thought. It really was the cutest thing. And the best part? She didn’t even need the extra support. The couple totally nailed the lift, better than they ever have before. Phew. Talk about a cause for celebration.

Personally, I couldn’t have been prouder. As for the couple–and yes, I’m about to go there–they had the time of their lives.

Matt said he’s seen videos online of couples doing that lift who really screwed it up–brides who fell into their own wedding cakes and shit like that. Talk about embarrassing. So after “my” couple hit their mark, the rest of the evening was a breeze for me. Matt and I sat with some friends of mine from Fort Smith, and we laughed, laughed, laughed. Then when the dance floor was opened to the general public, Matt and I cut a rug to several west coast swing songs. This completely made my night, especially since this was my first time dancing, really dancing, since my knee surgery six months ago. Even better? My knee performed beautifully and isn’t in any pain today.

Woot.

As for the rest of today, I plan to go swing dancing tonight. Granted, I could drive back home and try to take care of my sinuses, but they aren’t the worst ever, and dancing is a real stress reliever for me. I could use this relief. I think about my students last night and how, even though their routine wasn’t perfect, they had so much fun and experienced so much joy. This is what I want for my life. Less pressure, more fun. Less perfection, more joy.

Quotes from CoCo (Marcus)

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Boundaries aren’t something you knock out of the park every time.

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Tits Up (Blog #824)

Sometime yesterday I (apparently) found the magic probiotic/kimchi combination to heal my sinus infection. Last night after I blogged, my energy level kicked up, and I couldn’t fall asleep. Oh well, I’ll take being tired over being sick any day. Tired–that’s what I’ve been today, since I got up early to teach a dance lesson. Again, I’m fine with this. It’s nice to be employed. Did you hear that, Universe? I’m grateful for both feeling better and having work to do.

So please let’s keep this up.

Currently it’s one-forty-two in the afternoon, and I’m blogging now because I have a doctor’s appointment shortly and then the short-story writing class I’ve been attending for the last month. Earlier today, after my dance lesson, I went to Kinko’s and printed off a dozen copies of the story I finished yesterday, so everyone in the class can have one to either criticize or praise. Or both. Or remain silent.

I’m preparing myself for all reactions.

During this morning’s dance lesson, the wedding couple I’ve been working with practiced one of their stunts. You know that little moment at the end of Dirty Dancing when Patrick Swayze lifts Jennifer Grey over his head, like, no big deal. Well, it’s been going–um–okay, but today it just wasn’t happening. The groom’s arms were tired. His knees hurt (because another part of the dance requires his spinning on his knees). The bride was nervous. Ugh. It’s a big deal to trust someone else to hold you above their frickin’ head. There’s a part of the lift that requires the girl to push off the guy’s shoulders and immediately go into that “light as a feather” pose, and she kept hanging on.

Girl, I get it.

It’s hard to let go.

Earlier at Kinko’s I forgot to hit the “collate” option, and my pages printed like this–page 1, page 1, page 1–page 2, page 2, page 2. Anyway, I had to sort them myself by hand on an empty counter–page 1, page 2, page 3–page 1, page 2, page 3–and when the manager came over to see if I needed any staples or paper clips, I imagined that he saw the first page of my short story, then I got embarrassed because–What will he think? What will anyone think? Maybe it’s a bit of what I felt like when I started this blog. Here I am world, this is me.

In the Netflix serious The Marvelous Mrs. Maisel, the main character is a standup comedian, and her manager–a real dude of a lady–always has the same encouragement for her client before she goes on stage–“Tits up.” This has become “a thing” with me and some of my friends, and I’ve started using it with my dance students, even though they haven’t seen the series. It means–stand up straight, lift your head (don’t look at the ground!), and BE PROUD. In all areas of my life, I’m working on this, on not shrinking or shying away or feeling ashamed, but rather being comfortable and confident in my skin and in my work, however much I weigh, however I happen to feel, and regardless of what others think.

Quotes from CoCo (Marcus)

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You have everything you need.

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Under Pressure (Blog #823)

Okay. It’s midnight-thirty, and I’m just sitting down to blog. Earlier tonight I taught a dance lesson to a couple who is about to be married. We’re really getting down to the nut-cutting. Three more lessons, and then it’s their big day. Then they perform their routine. Honestly, it’s getting better the closer and closer we get to the deadline. Not because, as you might think, they’ve been practicing more, although they have been. (Practice, what a novel concept.) Rather, their routine is getting better because of that magical force called pressure (pressure–pushing down on me), because of that thing that says, This has got to happen. This has simply got to happen.

Several times in the last few weeks I’ve mentioned the pressure I’m under, specifically the pressure to create (out of thin air) a 1,500-word short story for my friend Marla’s writing class that began four weeks ago and ends tomorrow. Ugh. I started my short story easily enough, with three hundred words, but the last time I worked on it, a week ago today (the night before our last class), I was only able to add a hundred more. Consequently, I’ve felt like a failure. Sure, a hundred words is a hundred words, but all week I’ve been at a loss because I haven’t known where to go next. Not that I’ve sat down, even once, to try to figure things out. I’ve been too busy–reading books, mowing my parents’ lawn, fighting a sinus infection.

Today I started dog sitting for a friend, and this afternoon when I ate lunch (Mexican food) in their kitchen, their dog lay on the floor and stared at me the whole time. Like, Hey, Amigo, are you gonna share that or what? This went on until my last bite (because I don’t share and–besides–had just given him a T-R-E-A-T.) Anyway, this is sometimes what trying to write can feel like, like you’re a dog lying on a kitchen floor waiting for some middle-aged prick to pass you a piece of his chicken taco. You bang your head against the wall and wait for The Muse to show up and say something–ANYTHING!– but then, as if it were a Tinder date, it stands you up instead.

Just like a man. The Muse is probably a man.

As of last night and even as early as this morning, I was convinced I simply wasn’t going to get my short story finished in time for class. Even if I do find the time to write, I doubt I’ll be able to get very far, I thought. Optimistic, I know, but I’ve done this fiction writing thing before, and it requires time.

So get this shit. (And pay close attention because I’m only going to say this once.) I was wrong. (I’ll explain.) Because of my sinus infection, I cleared my schedule this afternoon to rest. But then I perked up a little and decided to TRY working on my short story. I’ve got four hours, I thought. A lot can happen in four hours. And, y’all, a lot did. I wrote 850 words. That’s 1,250 words total. And whereas I didn’t FINISH the story, I’m okay with that because I realized it’s not meant to be a short story–it’s meant to be something longer. A novel, perhaps. So what I have now is a solid introduction, maybe a first chapter. Regardless, I have 1,250 words (that I absolutely adore) that I didn’t have a few weeks ago. And here’s the best part–I can’t wait to see what happens next.

This if the FUN side of writing. For weeks you beat yourself up and bang your head against the wall. You agonize over what’s going to happen. You do nothing and get nowhere. The pressure builds. Then, the day before your deadline, you finally sit down in front of the keyboard. You think, This has got to happen. This has simply got to happen. And just like that, it does. When it’s over, you’re just as amazed as anyone else is. Tonight while editing my story, I noticed subtle connections I didn’t intend. Magical, I thought. This is what makes me believe I’m not working alone here. This is what makes me believe The Muse does exist and–because it’s willing to show up to our creative play dates but simply takes its sweet time getting ready–must be a woman.

Quotes from CoCo (Marcus)

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Boundaries are about starting small, enjoying initial successes, and practicing until you get your relationships like you want them. 

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On That Which Supports You (Blog #816)

It’s four-thirty in the afternoon, and I’m in between appointments. Two hours from now I’ll be teaching a couple how to dance for their wedding. Yesterday they messaged me and said they’d been doing something few couples ever do–practicing. And whereas I’m hopeful (hope springs eternal), I’ve been in this business long enough to be prepared for mediocrity. Not that mediocrity would be the worst thing. Indeed, it would be leaps and bounds from where they started two months ago–rock bottom. That being said, mediocrity is not The Goal. The Goal is fabulous, stunning, like, oh-my-god wow.

Since I have a break in my day, I’ve stopped at a local park to blog. As the weather is gorgeous, I’d rather be outside of the shade of this pavilion, strolling and soaking up the sun. Alas, dear reader, I’m a dedicated and self-sacrificing daily blogger, so here I sit, writing. Truth be told, although this writing project has to happen at some point today, I’m using it to procrastinate another writing project. I’ll explain. Three weeks ago I started a short story writing class taught by my friend Marla, the goal of the class being to, by the end of the class (a week from tomorrow), produce a fully fleshed out and hopefully interesting short story, a short story being approximately 1,500 words. And whereas I’ve written more personal essays and non-fiction features of that length than you could shake a stick at, I’m not sure I’ve ever written a fiction short story of that length. Or any length.

In short (story), I’m terrified.

This feeling of terror is what I felt a week ago today when I first sat down to work on Marla’s assignment. At that point I only had a single sentence, a sentence that popped into my brain over two years ago like, Maybe that could be a story one day. Well, despite my all-day trepidation of I don’t know where this is going, shit, shit, shit, I don’t know what else to say, that single sentence, in the space of an hour, turned into three entire paragraphs, or three-hundred and nineteen words.

When I finished those three paragraphs Monday and read them in class the next day, I was elated. I felt like a rosy-cheeked kindergartner on show-and-tell day. Look what I did. As much as being enthusiastic as a writer, I was enthusiastic as a listener. Stephen King says that the author of a work is its first reader, and although my story is only a three-hundred word baby, I really do want to know how it’s going to grow up. I want to know what happens next, how this thing is going to end. Unfortunately, over the last week my wide-eyed enthusiasm about my story has turned to dread because–damn it–I’m the one responsible for writing it. In other words, if I want to find out what happens, I’m going to have to put my butt in a seat and do some actual work.

In terms of this blog, I’ve come to trust The Process. For over two years I’ve written daily and–I swear–most days I have no idea what I’m going to say. And whereas this used to scare me, now I just believe. There’s something there. Maybe I can’t see it, but I believe it’s there. Not because I have faith, but because I have over two years worth of proof. Something always comes up. My creative well is deep.

This creative confidence is something I’m trying to develop with respect to writing fiction. And whereas I wish it would simply show up and shine, I’m betting I’m going to have to work at it, to sit down every day, every damn day and practice like I ask my dance students to. Part of the problem, of course, is that I put a lot of pressure on myself. I tell myself, Let’s just sit down and play. Let’s just see what happens. Inevitably, however, I get one good sentence or paragraph and create a standard of perfection. I think, This can’t be mediocre. This needs to be fabulous, stunning, like, oh-my-god wow. This needs to pay the bills.

This, of course, is recipe for stress.

Recently I read something to the effect that when you have a longstanding desire or dream, you don’t have the privilege of getting to see from whence it springs. Think about how you can see a tree but not its roots. Or how you can see a building but not its foundation. In other words, our deepest wants for our lives (like, I want to be a full-time, paid writer) come from our subconscious, so although we’re conscious of That Which We Want, we’re unconscious of That Which Supports What We Want, of that which created what we want in the first place. I believe this is where creative terror comes from, believing that your dreams don’t have any roots or foundation, believing that you’re drawing water from a shallow well.

A few years ago I started a fiction novel. Like the short story I’m working on now, it excites me. Even though I haven’t touched in forever, whenever I think about my first paragraph, I absolutely melt. When I read it to my friend Marla way back when, she said, “Marcus, I can’t believe this is inside of you.” I think about this encouragement of hers a lot. As recently as this morning I picked up a random book and read things that I think will be useful whenever I get back to that story. My point is I think there’s something subconscious that wants me to write it, that’s supporting me in writing it.

There’s an idea if self-help and spirituality that we’re more afraid of being powerful than we are afraid of being weak. Because we’re used to being weak and we’re used to playing small. These things are comfortable, familiar. But being strong and big, being endlessly creative, the author of glorious stories? Whoa damn. My therapist says that getting what you want in scary. And although I’m not “there” yet, I agree. Just the idea of my dreams really coming true often keeps me from sitting down with my stories and finding out what’s there. Because getting what I want would mean really changing and not playing small anymore. It would mean no looking back. It would mean saying, “Here I am, World–roots deep, foundation strong–fabulous, stunning, like oh-my-god-wow supported.”

Quotes from CoCo (Marcus)

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One thing finishes, another starts. Things happen when they happen.

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On Electric Park and Freedom (Blog #812)

Several years ago while working for a local magazine, I learned about a super-cool amusement park that was located in Fort Smith from 1905 to 1920. The park was called Electric Park, a common name for such places at that time, and located where Kay Rogers Park (the fairgrounds) is now on Midland Boulevard. Then Midland wasn’t paved, and patrons of the park traveled there from downtown Fort Smith by streetcars (trolleys), which, handily enough, were owned and operated by the owners of the park, the Fort Smith Light and Traction Company.

So basically those guys were making bank.

What drew me to the story of Electric Park were the cool buildings they had there. A combination of moorish, crystal palace, and oriental onion dome architecture, they were absolutely beautiful. When I first saw a picture of one of the structures, I said, “Where is that?!” I got so excited to see it in person. Of course, the park and all its buildings were long gone. (Fort Smith tears everything down.) Still, I heard there was a book about Electric Park written by a local author, Stan Kujawa, but for years Amazon has continually said it was out of print.

Bummer.

A few weeks ago while perusing my Amazon Wish List, I saw the Electric Park book and had the bright idea that the Fort Smith Library might have a copy. Well, they did, so I checked it out and have been reading it. (During this time I also found print and digital versions of the book for purchase online.) And whereas I don’t intend this post to be a book report, since I really don’t have anything else to talk about, I’m going to share some of the book’s highlights.

In its heyday, the park had a casino, a dance hall, an auditorium that sat 2,200 people, and a roller coaster and regularly hosted vaudeville acts, orchestras, bands, and public speakers. The book by Kujawa reproduces dozens of newspaper advertisements for the park, and in one a woman named Squire Kate said that a woman’s joy in life should be her husband and children, that any woman who prefers a canine and a childless life would “frown on man and rant against the simple life of the home.” Clearly she was talking about lesbians. This is something I noticed while reading the book–that for as advanced as people were a hundred years ago–hell, the park owners were responsible for building the Midland Bridge from Fort Smith to Van Buren–they could be just as prejudiced (or more) than we are today. For example, only whites were allowed at the park.

Often people say, “We’ve come a long way.” Uh, have we? So we’ve integrated amusement parks and stopped performing in blackface, which apparently was common at Electric Park. Yes, lesbians can stay home with their dogs, and gay people can marry. These are good things. But god, we sure have taken forever to get here, and prejudice, discrimination, and mistreatment (harassment, murder) still happen. Have we really come that far? Ugh. Freedom isn’t difficult in theory. It works like this–if you can go to a park or get married, everybody can. Period, end of story. If everyone really got this, it wouldn’t take a hundred years for things to change. The world would look different by noon tomorrow.

But I digress.

On a more lighthearted note, I was tickled by many of the reproduced newspaper advertisements for the park. One advertisement encouraged readers to “come and meet the best and most refined people.” (Oh la la.) A hot air balloon was called “a big gas bag,” which I just thought was a term Grandma used for Grandpa. When the flowers were in full bloom, it was called a “pansy shower.” One of the shows brought to town in 1911 included five boxing kangaroos. Dancing was referred to as “trip the light fantastic,” apparently because dancers are “light” on their feet.

In 1920 Electric Park closed, and the buildings were torn down and sold for materials. My entire life I’ve visited the fairgrounds where Electric Park once stood and never knew its history. I’ve ridden rides there, gone to the rodeo, danced. And whereas I can imagine that it used to be a better place, certainly a prettier place than it is now, the truth is that life doesn’t change much. Buildings go up, buildings come down. Look at the photos of faces a hundred years ago, and those faces aren’t much different than ours today. People then enjoyed getting out and being amused just like we do now. They had their fears and prejudices just like we do now, except we have ours in air conditioning.

You’re the one who’s trapping you.

There’s an idea in spirituality that if you want to free the world, free yourself. Byron Katie says that freedom comes from loving the thoughts in your head. Said another way, freedom starts inside. Because if you don’t have peace inside, you’ll always feel trapped. And if you don’t recognize the fact that you’re the one who’s trapping you, you’ll blame your lack of freedom on something outside of you, another race or religion, “those people,” canine-owning lesbians, whatever. You’ll spend your entire life thinking that the world needs to change instead of realizing you do. Because, let’s face it, wanting the world, or even one person in it, to change is hopeless (absolutely hopeless). But changing yourself, freeing yourself, that’s something possible.

That’s something even a big gas bag could do.

[Images from Electric Park by Stan Kujawa.]

Quotes from CoCo (Marcus)

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It's the holes or the spaces in our lives that give us room to breathe and room to rest in, room to contain both good and bad days, and--when the time is right--room for something else to come along.

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On Listening (I said, ON LISTENING!) (Blog #810)

This morning I got up early to take my dad to the donut shop for his belated Father’s Day present–because he said he wanted a donut as his present instead of a burger or steak dinner. Talk about fun. Talk about a sugar rush. Talk about a cheap date. Every son should be so lucky. For under twenty bucks, I made my dad’s day. Seriously, the man loves donuts. Of course, I certainly wouldn’t turn my nose up at one.

Or two, filled with chocolate, for that matter.

This afternoon I taught a dance lesson to a couple who’s getting married soon. While discussing the need for a solid dance frame, I had the follower connect with me in closed (standard ballroom) position, her left arm on top of my right, her right hand in my left. At first, her arms were loose, “spaghetti arms.” But then she matched the tone in my arms (steady, like a wire hanger), and it felt like things “clicked.” “THERE!” I said. “That’s how you tell your partner–I’m listening.” At this point her fiancee, who works as a therapist, said, “Ahhhhhhhh.”

I’ve been thinking about this a lot lately–the importance of listening. It’s something my therapist is awesome at, not only listening to, but remembering what I say. For example, despite the fact that I’ve seen her for five years, she’s never taken a single note–and yet she never seems lost. I’ll mention a name of a friend or an ex, and she’s right there. “Oh yes,” she’ll say, and then she’ll mention something she remembers about that person. When we’ve talked about her excellent memory, she’s said, “I exercise the shit out of it,” meaning that it’s something she consciously works to improve, not just with me, but with all her clients.

So often in conversation I’m thinking about what I’m going to say next. But recently I’ve been trying to listen more, to keep my damn mouth shut and pay attention the way my therapist does. This morning at the donut shop the lady behind the counter said she hears ALL KINDS of stories. Well, for a writer stories are gold, but you can only HEAR them if you’re NOT TALKING. Recently I started to say something at the same time one of my friends did, so I used a phrase I’ve been trying to use more often–“You go ahead.” My dad says that if he doesn’t say something right away then he’ll forget it. My take on this is that waiting to talk is an excellent way to IMPROVE your memory. My therapist says that if you forget something you were about to say, it wasn’t that important in the first place.

Listening, however, isn’t just important in your external world. It’s also important in your internal one. What I mean is that so often we listen to what others have to say about our lives and how we should be, and we even talk, talk, talk about our problems to anyone who will let us. But how often do we really get quiet and listen to our own hearts and minds? How often do we check in with not what we think we should think and feel, but with what we actually think and feel? In my experience, not often enough. Since starting therapy and this blog I’ve had countless experiences in which I had to finally recognize–I’m pissed, I’m hurting, I’m overwhelmed, I’m traumatized. These experiences are why I sometimes refer to myself as sweetheart–Sweetheart, I’m here for you–because I’ve ignored so many parts of myself for so long and am now trying my damndest to listen to them. To shut up and hear myself for once.

This evening I attended my friend Marla’s writing class and shared the beginning–because I only have the beginning–of a short story I wrote last night. When I started writing it I only had a sentence, one single sentence that’s been in my brain and in my phone for probably two years because, Maybe that could turn into a story one day. Despite the fact that I THOUGHT about that sentence all day yesterday, I couldn’t add anything to it. But then last night I closed my eyes and got quiet. I thought, Who is saying this one sentence, and what do they want to say next? I’m listening. And just like that, the voice of my main character started talking. Within an hour, I had three paragraphs of their story.

Tonight after I read my first three paragraphs in class, Marla and I were chatting and I realized something about my story that I hadn’t planned or done on purpose–that my main character had something important happen when they were four and that four was the age I was when our house burned down. And whereas I’ve always thought the fire was a source of trauma for me (and still think that), in my character’s story I referred to their important event as a gift. My point is that our subconscious and even our conscious minds and bodies are always trying to heal us, always trying to get us to move forward. Look at all the good that came from that horrible situation. Sure, we can fight this growth process, but one way or another, our issues are going to creep up and asked to be healed–in our dreams, our relationships, our art. So all the better if we can be conscious, if we can work with our issues intentionally, if we can say, Sweetheart, how can I help you move on? I’m listening.

Quotes from CoCo (Marcus)

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You absolutely have to be vulnerable and state what you want.

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On Being in Control (Blog #778)

It’s five in the evening. Just a bit ago I taught a dance lesson to a couple who are preparing for their wedding. Now I’m reclining outside where I’m house sitting, soaking up the sun. The dog I’m taking care of, who really is adorable, is across the yard, chewing on a giant stick. Just before I came outside, she was barking, barking, barking to come inside and–after I let her in–barking, barking, barking to go outside. Two nights ago my friend Megan couldn’t decide what she wanted to eat at Subway.

Decisions are hard.

Today’s dance lesson was number four for the couple, and we talked about and worked on transitions. Their basic moves are coming along fine–it’s usually not a big deal for couples to learn the basics–but their transitions need work. When going from one move to another, they slow down. They get off beat. (I know, I said get off.) I’m the same way when I learn something new–awkward. If my left leg is used to going forward, but now I need it to go back, that requires effort. Until it doesn’t, of course. That’s the point–at some point, your transitions become quick and seamless. You think, Step back, and your body simply does it without lallygagging or putting up a fuss.

My friend Shauna says that the difference between a professional dance and an amateur dancer is that the professional dancer is able to control all parts of their body simultaneously. Conversely, an amateur dancer can only command so much of their physical body at once. For example, the guy I worked with today could take a step back on his own, but when he danced with his fiance AND tried to take a step back AND send his arms slightly forward at the same time, his step back became exaggerated. As a result, his butt shot back, his head dipped forward, and his posture went from being upright (and correct) to slouched (and weird). I wouldn’t expect it to be any different. Beginners can usually only control one thing at a time.

If that much.

Earlier today I read an affirmation/meditation by Stephan Hoeller that I can’t get off my mind. It said, “If it is the will of my Father to strike down everything I have built in my life, may He do so and do it swiftly. I shall be free of attachment to anything or anyone.” Wow. Talk about a tall order. I shall be free of attachment to anything or anyone. I can’t even begin to list the things and people I’m attached to, the circumstances I THINK or BELIEVE should turn out a certain way. I want THIS to happen. I want THAT to happen. This is normal, I imagine, but the problem with attachments is that they’re directly tied to our experience of peace. For instance, earlier when the dog was barking, barking, barking, I ever-so-briefly got irritated. Make up your mind, honey! Not because the dog was doing anything other than being a dog, but because I was ATTACHED to a certain thought–The dog shouldn’t be barking–that was in direct opposition to reality.

This is an extremely small example–I could go on about being attached to people, relationships, or physical objects–but the point remains. Whenever I want one thing to happen and something else does, I sacrifice my inner peace. If just for a moment when the dog was going nuts, I was thrown off My Center. I went nuts. (The joke in my family is that “it’s a short trip.”) Byron Katie says if the dog’s barking and I think it shouldn’t, “I’m insane.” Not permanently, but in that moment. Why is it insane to think the dog shouldn’t bark? Because IT IS barking. And dogs bark. Just like cats meow (and throw up on your floor), the wind blows (and tornadoes tear your house apart), and bodies get sick (and die). This is reality. These things happen on planet earth.

As I understand it, just like you can practice dancing to the point that you can control all parts of your body at once, you can also work with your mind in such a way to control it too. That is, we think that thoughts are these things that just pop into our heads and we can’t do anything about them. And whereas that’s somewhat true, it’s also true that simply because a thought pops into your head–The dog shouldn’t be barking–that doesn’t mean you have to get carried away by it. This is one of the ideas behind meditation, that you can train your mind to focus on whatever you want it to and that–after enough practice–it will without lallygagging or putting up a fuss. Then if an old resentment comes knocking at your door you can say, “Sorry, not today,” and your mind will think about–I don’t know–chocolate cake. Something that makes you happy. Something that doesn’t steal your peace.

This is the hardest thing you’ll ever learn to do. I certainly don’t have it down. At the same time, I’m working on it. More and more, I think, What’s my peace worth? Am I really willing to let–you name it–a barking dog, a boy, a disappointment, a sinus infection, or my financial status move me off My Center? This, of course, means working on controlling my mind and not letting it be swept away by every damn thing. It means commanding my spirit, saying, “Hey, come back here.” This is The Hard Work. It’s what Jesus was so good at. The guards came to take him away, and Peter got “taken away” by his anger. He cut off a dude’s ear! But not Jesus. He wouldn’t let himself “be moved.” His peace was more important to him than that. Even when they hung him on a cross, he refused to let the outer world change his inner one. This is why he said, “Father, forgive them.” Not to convince God, but to convince himself, to convince his spirit to stay Centered rather than think thoughts like, I shouldn’t be hanging on a cross, or hate others, or chase resentments. Sorry, not today. Talk about a man free of attachment to anything or anyone, even his own life. (Talk about a man free.) Talk about being in control.

They didn’t call him Master for nothing.

Quotes from CoCo (Marcus)

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There’s nothing wrong with taking a damn nap.

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All Parts Are Welcome (Blog #744)

This evening I worked for an hour. An entire hour. (I do work sometimes.) I taught dance at a wedding, as part of the reception. The bride and groom wanted their guests to have something to do while they were having their pictures taken and the main room was being “flipped” from a sanctuary to a dining hall/dance party central. I thought this was thoughtful. For those who didn’t take the dance lesson, there was corn hole.

It’s always good to have options.

Since the wedding and reception was out-of-town, I spent all day getting ready for the affair. Funny how you can take hours preparing for a one-hour deal. Still, a boy’s gotta shower, and this boy also needed to borrow a portable speaker for playing music. You’d think I’d have one as a dance instructor, but I don’t. Thank God for friends.

The event tonight was held at a historic site that was originally one of the first colleges in Arkansas. You should have seen it. You could see it if I had taken pictures, but I didn’t. Well, I did take one, of the dessert table. They offered a selection of pies. A selection of alcohol would have been better, but you take what you can get. A calorie is a calorie. I went with the caramel apple pie, which almost made up for the fact that I got absolutely windblown and soaked walking into the building when I first got there. I hate the rain, especially when it’s cold, especially when I have to walk through it and–thanks to my bum knee–my max speed is two miles per hour.

But I digress.

The lesson itself went great. Fabulous, really. As good as any I’ve ever taught at a wedding or similar function. Normally you have to beg and plead people to participate, but most these folks jumped right in. Plus, there was a door to shut out those who didn’t jump in, and that way they weren’t a distraction. What struck me the most was that everyone seemed so friendly. Even the guys, who are normally stand-offish when it comes to dancing, were laughing and carrying on. Sober! As for me, I was a bit cranky. I’ve been a bit cranky lately. (Did I mention I hate the rain?) And whereas I used to hide it, lately I’ve been rolling with it. I’m still fun and charming (I think), just more–um–sarcastic/cynical/droll. In terms of tonight’s lesson, this means I didn’t put on a face. If someone was screwing up or interrupting, rather than stew about it, I addressed it.

“I need you to do this next part with your mouths closed.”

My therapist says that when you’re not trying to impress anyone–when you’re simply showing up as yourself in the moment–that’s called self-possession. And not that I have this down pat, but I’ve found myself in several situations lately where I haven’t felt the need to put on an act. Tonight, for example, part of me felt tired, another part felt sad, another part felt frustrated (sarcastic, cynical), and another part felt playful and curious (droll). And rather than try to suppress one part or play up another, I simply let them all come to the party and continued to do my job. Now, whether this “worked” for anyone else or not, I don’t know. It’s not about them. But I do know that I had more honest-to-god and heart-to-heart conversations with total strangers tonight than I have in a long time.

First, there were several guys and girls in the class with whom I had a lot of light-hearted banter. One guy accidentally learned the girl’s part, and I said, “Dude, this is your once chance to lead in your marriage, and you’re screwing it up.” Later he said, “You found me out! I’m feminine!” Another guy, who apparently knew the first one, also learned the wrong part. When I told him why things weren’t working, he said, “I was watching my friend!” I said, “Of all the people in the room you could have copied–.”

After the lesson, while I was sitting alone and waiting for dinner to be served, one of the groom’s relatives struck up a conversation with me. Just started talking about his travel habits and business out of the clear blue sky. Weird because his business had to do with writing and psychology. And no, I hadn’t said a word about my personal interests or this blog, nor did I. Rather, I just figured it was one of those odd universe things. Then later a bridesmaid–again, out of nowhere–told me about a family tragedy and how writing helped her heal. Now seriously, of all the random people at that wedding who could have talked to me.

More and more, I think less and less is random.

For the reception, the couple had a swing band. Y’all, I would have killed to have been out there dancing. However, thanks to my knee, I wasn’t. (Although I did dance with the bride.) Instead, I ate my apple pie and judged people. Ugh. My inner critic always has so much to say. And whereas I’d normally be thinking that I should shut him up, tonight I wasn’t. I plan to say more about it later, but this afternoon I heard a podcast with psychologist Richard C. Schwartz, who pioneered a type of therapy called Internal Family Systems (IFS). As I understand it, IFS proposes that we all have “parts” of ourselves that have unique voices and interact much like the members of a family. I think it’s another way of talking about archetypes. I have my inner critic. But the idea is that each part has A REASON for what it thinks and how it behaves, and that reason probably has something to do with keeping you safe. For example, my people pleaser most likely developed because at some point my survival depended on keeping other people (like my parents or teachers) happy.

One of Schwartz’s catchphrases is “all parts are welcome.” That is, so often we try to banish parts of ourselves. We think, “I’m a real shit-head for doing that thing I told myself I wouldn’t do again” and that we’re bad for having done it or thought it in the first place. But perhaps at one time that thought or thing was useful, even necessary. So Schwartz says a good approach is to get curious, to listen to what that part has to say rather than tell it to shut the hell up. Because maybe it’s scared, and maybe you need to cry. This was my approach both is my class and at the reception tonight, to simply listen to myself. Even the cranky parts, even the critical parts. And not that I had any major breakthroughs, but at least I wasn’t putting any pressure on myself to be anything that I wasn’t (or am not). Which is, of course, a breakthrough.

Quotes from CoCo (Marcus)

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You really do belong here.

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One Day at a Time, Sweet Jesus (Blog #743)

This afternoon I worked on a puzzle that my sister and I started back in December. Alas, we didn’t get very far. We basically finished the border, the easy part. For months the puzzle has sat on our spare coffee table (that’s right, we have two coffee tables, suckahs!), and for months I’ve felt guilty about it. Another unfinished project. I guess it wasn’t time. But then today while I was listening to a podcast, it was. For over an hour I combed through hundreds of pieces and actually made some progress. Slowly but surely, a shape emerged.

Recently I heard a comedian–I can’t remember who–make fun of puzzles. He basically said, “They’re not that hard. They’re not even surprising. You’ve got a lid that SHOWS YOU how it’s supposed to turn out.” I thought about this today as I worked on my above-mentioned puzzle and periodically checked the lid to see where a piece went. No surprises here.

Earlier today I re-read more old blogs. Whenever I do this, I read ten at a time. I’m up to number 90 now. Part of me feels as if this project (both the blogging itself and the re-reading) is taking FOR-EV-ER, but obviously a lot can get done one day at a time, one (or ten) blogs at a time. This evening I went to the gym and spent thirty minutes on the elliptical, a machine I tolerate. And whereas it wasn’t “fun,” I made the time pass more quickly by thinking Just one more minute thirty times. My point–it helps to break things up into smaller pieces. You can seriously overwhelm yourself if you look at the big picture.

For over twenty years my dad and I have had this running joke about the song One Day at a Time, Sweet Jesus (that’s all I’m asking from you). It started when Dad was in prison. I guess he and his friends used to sing it on Sundays. You can see how a tune like that could resonate with inmates–or anyone going through a tough time. Like, I’m not asking you to help me get through this entire damn year, Lord, just today.

Of course, if you get through today every day for a year, you’ve gotten through a year. (God, Marcus, you really are profound sometimes.) But seriously, we complicate things. Once, when I asked my friend Chelsea how to dance fast Lindy Hop, she said, “Dance Lindy Hop faster.” No shit–I paid for that advice. Later, I realized how correct it was. If you have solid technique, you can dance at any speed. If you don’t have solid technique, you’ll notice problems at high speeds, but the truth is you’re doing something wrong at slower speeds too. Bad technique is bad technique. Anyway, my point is that the answers we’re looking for are simple. Maybe not easy, but simple. How do you blog every day for a year? You blog every day for a year. How do you put together a thousand-piece puzzle?

One piece at a time.

One difference between a puzzle and a creative project, however, is the lid. That is, with any creative project–writing or dancing, for example–you often don’t know where you’re going or have a picture of the end product. When I started dancing twenty years ago, no one showed me a video of what I’d personally look like if I put in 10,000 hours. Likewise, when I started this blog two years ago, I may have had the goal to write every day, but I didn’t know what the actual results would be or how it would change me. I didn’t have a lid. I still don’t. And yet, slowly but surely, a shape has emerged.

I think it’s safe to say that nobody knows where they are going (except to bed, maybe). Nobody has the lid for their life. This means anything can happen. Surprise! When I started therapy, I had no idea of how I’d change. I simply felt compelled to explore the path. Five years later, here I am, still exploring, still surprised by the results. Joseph Campbell said, “Not all who hesitate are lost. The psyche had many secrets in reserve. And these are not disclosed unless required.” I love this quote. To me it means that when you’re working on a creative project or even yourself, you really have no idea what’s possible. We tell ourselves, I can’t do that or That could never happen, but the truth is that we don’t know until we try, until we keep showing up one day at a time, Sweet Jesus.

Quotes from CoCo (Marcus)

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Abundance is a lot like gravity--it's everywhere.

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On Measured Effort (Blog #710)

Last night, thanks to the time change, I got five hours of sleep instead of six. Color me not impressed. My body’s been off all day. Currently it’s ten in the evening, and I’ve been ready to go back to bed for twelve hours. Fingers crossed I’ll be asleep by midnight.

One can hope.

This morning I woke up early to teach a swing dance workshop in Fayetteville. It went well. God bless everyone who got out of bed to attend and listen to me say, “one more time” over and over again. One more time, I’ve probably said that more times that I can count. That and, “five, six, seven, eight.” Today a student, making reference to a basic step we covered in class, said, “I already know that.” I remember thinking something similar when I was a new dancer; I wanted to learn the cool shit. But the older I get, the more I find myself going back to the basics–taking clean steps, being on the beat, doing the same thing over and over again.

I say this a lot as a teacher, but the only way to really learn is to go slow. There’s so much going on when you dance, you mind and body need time to become aware of what’s happening and integrate the information. Granted, as a student, I hate that. I want to zip through new dance patterns like everybody else does. I’ve been learning to knit recently, and I can’t tell you how eager I am to knit a blanket. But my first project was a pot holder, and my next one’s going to be a cap. That’s the deal; with anything, you have to start small and work you way up. You can’t just dive into the deep end without learning how to swim first. Yesterday I said my therapist thought the universe was trying to get me to slow down (because I injured my knee a few months ago). If she’s right, it’s a hard lesson to learn. After the workshop today, there was a dance, and I wanted so badly to really cut loose. But I forced myself to stick to the basics, to go slow.

One friend I danced with noted that my steps were “measured.” She was right–I was super careful this afternoon during the workshop and especially this evening on the dance floor. And whereas that was frustrating as hell, it’s what my body requires. And it’s not awful. Actually, I wish I had gone slower when I first started dancing. I wish my steps had been measured back then. That is, I wish I’d taken more time to move slowly and deliberately, to really focus on my technique, to not develop bad habits.

Alas, I didn’t become interested in the technical, finer details of dancing until much later, when I started teaching. And even though being a teacher has taught me the value of not being in a hurry, I still often am. I start a project, like this blog or rehab-ing my knee, for example, and I want to get to the end. I see those motivational posters that say, “Life’s not a destination, it’s a journey,” and feel like vomiting. I want to do that fancy dance move, I want to be published, I want my knee back. Get me across the finish line already.

Hell, just get me to bed.

Your relationships won’t get better until you do.

It occurs to me that everything I’m really proud of–my dancing ability and knowledge, my relationships, my work in therapy, this blog–has come from measured effort. Not that I’ve been measured (or patient or calm) every minute of every damn day with any of these things, but I have been measured enough to be 1) intentional and 2) consistent. That’s what I’d say to anyone wanting to learn a new thing or grow themselves in some way–be intentional and consistent. That is, act on purpose. Obviously, you’re not going to accidentally become a good dancer, nor are you going to slip on a banana peel one day and have a completed novel fall out of your brain on your way down. Likewise, your relationships won’t get better until you do. It takes a decision. After that, it takes dedication. Simply put, you have to keep showing up.

Even if you’re not in the mood. Even if you only got five hours of sleep last night.

I say this for myself more than for anyone else. I constantly struggle with knowing when to push myself (for example, when to lose sleep in order to write this blog) and when to back off. Today in class I talked about how Lindy Hop has “built-in” times to rest. That is, certain steps take up more beats in the music, which gives the dancer time to breathe and not feel hurried. So I’m trying to recognize that these times exist in my life too, that it’s important to be measured or intentional about slowing down as well.

Quotes from CoCo (Marcus)

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We don’t get to boss life around.

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